https://youtube.com/playlist?list=OLAK5uy_ng7tgKRutrNrIctcmc3NfgrL-6IgAWKF4

KEIJI HAINO: voice, guitar
BILL LASWELL: bass
RASHIED ALI: drums

Recorded at The Stone, New York, december 15th, 2005. Edited by James Dellatacoma at Orange Music, West Orange, NJ.
Mixed by Dirk Dresselhaus at the Zone, Berlin.
Mastered & cut by Ruy Mariné at D&M, Berlin.

PURPLE TRAP, the powerful trio of KEIJI HAINO (voice, guitar), BILL LASWELL on bass and RASHIED ALI (drums), recorded live on stage at The Stone.

Recorded in december 2005, this furious live album by what can easily be called a super group remained unreleased till in 2023 BILL LASWELL made it accessible in a rough-mixed digital version for his bandcamp subscribers program exclusively. For this vinyl version, the music has been newly mixed by DIRK DRESSELHAUS (SchneiderTM) and mastered / cut by RUY MARINÉ at Dubplates & Mastering Berlin.
PURPLE TRAP, the trio of LASWELL / HAINO / ALI, reunited for this one-off gig as part of a 5-day-HAINO-festival at John Zorn’s venue „The Stone“, seven years after its only album Decided ... Already The Motionless Heart Of Tranquility, Tangling The Prayer Called "I" had been recorded (released on Tzadik in 1999).
The six untitled tracks (+ one as digital bonus) deliver what can be expected from such musical masters:
RASHIED ALI, iconic free jazz drummer who played with JOHN and ALICE COLTRANE, PHAROAH SANDERS, SONNY ROLLINS, JAMES BLOOD ULMER and countless more, is all drums, from quiet tiny sounds to high-energy rhythm patterns.
KEIJI HAINO, one of the most prolific artists of the Japanese experimental / noise scene for almost 50 years now, switches between truculent guitar splatters and full-on psychedelic outbursts.
BILL LASWELL, who as producer and musician created a massive body of work in fiields as diverse as ambient, world music, funk, jazz (and often hybrids of these), has proven his mastery in improvisation in projects like MASSACRE, PAINKILLER or (early) MATERIAL and provides the low-end grounding with his signicature bass sound, or adds effect-laden ornaments to the whole.
An overdue addition to a very small body of work by a clearly under-documented supergroup!