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SHAPESHIFTER
Reticulum Flux

electronic
Schematic, 2003

total time: 73:17

aver. mark: -    mark it!

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CD:20,18€
Out of stock
availability: up to a month ?
cat. no: SCH 038
format : CD
number of discs : 1
packaging : jewel case


no. title play mp3
1 Propulsion Barriers
2 Trash
3 Cybernetic Cataclysm
4 Convergence of th Antediluvian Vessel
5 Windtunnel
6 Acheron Sector
7 Breathtank
8 Orbifold
9 Centered Within Chaos
10 Weightless


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Info dystrybutora:
Shapeshifter is Malcolm Goodman. Recticulum Flux is the Shapeshifter album.
The music is possessed, like a Korean skyscraper ghosted by the murder of a computer virus hacked to pieces with an Apple G3. Shapeshifter has mined some seriously dark trench in hell to provide bloodless material for this aural demon. The spirit of early-model electronic abstraction holds sway over Shapeshifter’s glass tower; Ussachevsky hovers and Xenakis spooks. The inevitable exorcism happens halfway through the album, in a schism of ambient drone and human breath that stutters with a keyboard death-rattle and a low bass that nearly tears apart speaker cones. Then the poltergeist is let loose, and the album runs amok. Sound files collide and spit bits in a splinter of cellular corruption. Elongated double-helixes of noise mutate in hybrids of disorganic flow. It’s all very frightening and impressive.

Info dystrybutora:

Shapeshifter is Malcolm Goodman. Recticulum Flux is the Shapeshifter album.

The music is possessed, like a Korean skyscraper ghosted by the murder of a computer virus hacked to pieces with an Apple G3. Shapeshifter has mined some seriously dark trench in hell to provide bloodless material for this aural demon. The spirit of early-model electronic abstraction holds sway over Shapeshifter’s glass tower; Ussachevsky hovers and Xenakis spooks. The inevitable exorcism happens halfway through the album, in a schism of ambient drone and human breath that stutters with a keyboard death-rattle and a low bass that nearly tears apart speaker cones. Then the poltergeist is let loose, and the album runs amok. Sound files collide and spit bits in a splinter of cellular corruption. Elongated double-helixes of noise mutate in hybrids of disorganic flow. It’s all very frightening and impressive.

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