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Anna Zaradny
Cor Fuhler
Tony Buck
LIGHTON

avantgarde/ jazz/impro
Musica Genera, 2007

total time: 30:28

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https://soundcloud.com/annazaradny/2-lighton-02-excerpt

Tony Buck: drums
Cor Fuhler: piano and preparations
Anna Zaradny: alto saxophone

Lighton: continuous live performance indexed from 1 to 4 tracks for listening convenience
total time: 30:28

recorded on May 28th 2006 during Musica Genera Festival 2006 by Artur Nowak
mixed and mastered by Cor Fuhler
artwork by Anna Zaradny
d-sign by MM

THE WIRE, 283, SEPTEMBER 2007

Despite the slavish desire of many improvising musicians in recent times to follow Ezra Pound's famous dictum "make it new" by consciously avoiding traditional musical parameters and time - honoured rise and fall structures, musicians instinctively make their way towards and away from moments of climax and resolution. It's as natural as breathing in and out, waking up in the morning and falling asleep at the end of the day. One of the most impressive things about Lighton - a 30 minute live recording from last year's Musica Genera festival in Szczecin, Poland - is its utterly natural sense of flow and structure. It documents the first - and hopefully not last - meeting of percussionist Tony Buck, pianist Cor Fuhler and alto saxophonist and Musica Genera co-founder Anna Zaradny, who also provided the artwork for this release.
Unlike many contemporary Improv saxsophonists who seem to prefer breathy pitchless flutters and hisses to recognisable notes, Zaradny reveals a genuine fondness for both melodic line and interval, notably in her fragile multiphonics. She's found similarly openminded playing partners in Buck and Fuhler, whose convincing use of piano prepararations and occasional Feldman-esque minor ninths and major sevenths at times recall John Tilbury. If the music calls for fleeting excursions into semi- regular pulse from Buck's ride cymbal and toms or recognisable tonal centres from Fuhler and Zaradny, so be it.
The ear shows the way, the fingers follow, and that's as it should be.

Dan Warburton



"Lighton" is another document of Musica Genera Festival performance in our catalogue. The unique festival formula, which sets artists together in ensembles, that have never performed before, embodies the idea of experiment in music. It implicates the possibility of artistic failure, but sometimes results in amazing and outstanding music. Such was the case on the spe
.......
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THE WIRE, 283, SEPTEMBER 2007

Despite the slavish desire of many improvising musicians in recent times to follow Ezra Pound's famous dictum "make it new" by consciously avoiding traditional musical parameters and time - honoured rise and fall structures, musicians instinctively make their way towards and away from moments of climax and resolution. It's as natural as breathing in and out, waking up in the morning and falling asleep at the end of the day. One of the most impressive things about Lighton - a 30 minute live recording from last year's Musica Genera festival in Szczecin, Poland - is its utterly natural sense of flow and structure. It documents the first - and hopefully not last - meeting of percussionist Tony Buck, pianist Cor Fuhler and alto saxophonist and Musica Genera co-founder Anna Zaradny, who also provided the artwork for this release.
Unlike many contemporary Improv saxsophonists who seem to prefer breathy pitchless flutters and hisses to recognisable notes, Zaradny reveals a genuine fondness for both melodic line and interval, notably in her fragile multiphonics. She's found similarly openminded playing partners in Buck and Fuhler, whose convincing use of piano prepararations and occasional Feldman-esque minor ninths and major sevenths at times recall John Tilbury. If the music calls for fleeting excursions into semi- regular pulse from Buck's ride cymbal and toms or recognisable tonal centres from Fuhler and Zaradny, so be it.
The ear shows the way, the fingers follow, and that's as it should be.

Dan Warburton



Aktivist nr 38 sierpień 2007
****

EKSPERYMENT NIE GRYZIE

W kraju, gdzie statystyczny słuchacz uważa dokonania grup popowych, jak (dobre, skądinąd) Myslovitz czy Hey, za alternatywną wizję muzyki, twórczość artystów w rodzaju Anny Zaradny skazana jest na skrajną niszę i niezrozumienie. Oprócz garstki koneserów nikt nie zdaje sobie
.......
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