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Thelonious Monk
Brilliant Corners

jazz/impro
Pool Winners, 2010

total time: 69:29

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CD:13,05€
Out of stock
availability: about a month ?
cat. no: PWR27247
format : CD
number of discs : 1
packaging : jewel case


no. title play mp3
1 Brilliant Corners 7:48
2 Ba-Lue Bolivar Ba-Lues-Are 13:19
3 Pannonica 8:53
4 I Surrender, Dear 5:28
5 Bemsha Swig 7:44
6 Pannonica [alt Tk] 2:35
7 I Want To Be Happy 7:43
8 The Way You Look Tonight 5:11
9 More Than You Know 10:49


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Editor's info:
The complete Thelonious Monk LP Brilliant Corners (Riverside RLP12-226). Featuring such stars as Sonny Rollins and Max Roach, as well as some of the pianist/composer's most creative writing ever on the title tune. As a bonus, we have added the only existing alternate take from the sessions (an incomplete version of "Pannonica") plus Monk's complete previous session with Sonny Rollins, recorded in a quartet format in 1954.
Includes 8-page booklet

***** DownBeat original review: BRILLIANT CORNERS
"This is really a mood album, the kind of mood that envelops corners that can be called brilliant but are more inimitable than that increasingly indiscriminate adjective might connote. This is Riverside's most important modern jazz LP to date." (Nat Hentoff)
"No serious jazz collection should be without it." Lindsay Planer (All Music Guide)

Brilliant Corners was Thelonious Monk's third album for the Riverside label, and his first LP for the label dedicated predominantly to his own original compositions (his first two Riverside albums were devoted to well known jazz standards and Duke Ellington compositions). The album presents Monk's first studio recording of the intricate "Brilliant Corners", which according to producer Orrin Keepnews was the result of something like 26 takes! The first versions of "Ba-lue Bolivar Ba-lues-are" and "Pannonica" also appear here. By this time, "Bemsha Swing" had become a classic Monk composition (he had recorded it in 1952 in a trio format and in 1954 in a quintet with Miles Davis and Milt Jackson). Although this is Monk's first studio version of "I Surrender Dear" (he would revisit the tune in his 1964 solo piano sessions), an early unissued version exists featuring Monk with trumpeter Hot Lips Page recorded live at Minton's Playhouse by Jerry Newman in 1941. The Brilliant Corners date also marks Monk's third session with Sonny Rollins.

muzycy:
Thelo
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Nowa seria wydawnicza - Pool Winners Records, w ramach której prezentowane będą jazzowe kamienie milowe, tytuły, które w najbardziej prestizowym jazzowym magazynie - Down Beat otrzymały maksymalna ocenę, pięć gwiazdek. Warto dodać, że w każdym roku zaledwie kilka/kilkanaście płyt otrzymywało tak wysokie noty.

Thelonious Monk, jeden z najwybitniejszych pianistów jazzowych do historii muzyki XX wieku przeszedł jako autor "Round Midnight", bodaj najczęściej nagrywanym jazzowym standardzie.

Pozostaje niegasnącą inspiracją i fascynacją dla kolejnych pokoleń muzyków jazzowych, warto tu wymienić najwazniejszych muzyków, którzy poświęcali mu swoje płyty: Steve Lacy, który spędził początek lat 60. grając wyłącznie Monka, Anthony Braxton, Paul Motian czy też Joni Mitchell.

Lindsay Planer w All Music Guide napisał [...] Żadna prawdziwa jazzowa płytoteka nie może się obyć bez płyty 'Brilliant Corners'[...].
Nat Hentoff w pięciogwiadkowej recenzjii w DownBeat napisał [...] This is really a mood album, the kind of mood that envelops corners that can be called brilliant but are more inimitable than that increasingly indiscriminate adjective might connote. This is Riverside's most important modern jazz LP to date.[...].

Nowa edycja tej legendarnej płyty została uzupełniona o nagrania z sesji [an incomplete version of "Pannonica"] i kompletną sesję nagraną w kwartecie z Sonny'm Rollinsem z 25 października 1954.


Editor's info:
The complete Thelonious Monk LP Brilliant Corners (Riverside RLP12-226). Featuring such stars as Sonny Rollins and Max Roach, as well as some of the pianist/composer's most creative writing ever on the title tune. As a bonus, we have added the only existing alternate take from the sessions (an incomplete version of "Pannonica") plus Monk's complete previous session with Sonny Rollins, recorded in a quartet format in 1954.
Includes 8-page booklet

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