From Toral's liner notes:
"Having found that jazz is the field of musical knowledge where disciplined decision-making is most developed, this music is more informed by jazz than by any other. The Space Program emphasizes articulating silence and sound, by structuring musical discourse on experimental instruments with a simple and clear sonic identity. To my surprise I found no historical precedents to this practice, being that it draws practically no information from electronic music history (which is grounded on different thinking patterns), and it draws very little from jazz history as well, since the instruments i use are inadequate to play any music based on the Western system. I regard this approach to jazz (meaning a system of individual decision-making from the standpoint of free-spectrum live electronics) as a new and exciting field of creative possibilities. I called it "post-free jazz electronic music".

Nowy rozdział projektu Space autorstwa Rafaela Torala. Laboratoryjne doświadczenia na instrumentach klasycznych jak wiolonczella, flet czy trąbka prowadzą w stronę elektronicznego jazzu, a niepowtarzalne brzmienia jakie pojawiają się w tym procesie twórczym są tym co Staubgold lubi najbardziej.

From Toral's liner notes:
"Having found that jazz is the field of musical knowledge where disciplined decision-making is most developed, this music is more informed by jazz than by any other. The Space Program emphasizes articulating silence and sound, by structuring musical discourse on experimental instruments with a simple and clear sonic identity. To my surprise I found no historical precedents to this practice, being that it draws practically no information from electronic music history (which is grounded on different thinking patterns), and it draws very little from jazz history as well, since the instruments i use are inadequate to play any music based on the Western system. I regard this approach to jazz (meaning a system of individual decision-making from the standpoint of free-spectrum live electronics) as a new and exciting field of creative possibilities. I called it "post-free jazz electronic music".