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Adam Lane
Lou Grassi
Mark Whitecage
Drunk Butterfly

jazz/impro
Clean Feed, 2008

total time: 69:31

aver. mark: -    mark it!

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CD:15,17€
in stock
cat. no: CF116
format : CD
number of discs : 1
packaging : ecopack


no. title play mp3
1 The Last of the Beboppers
2 Sanctum
3 Like Nothing Else
4 Chichi Rides the Tiger
5 Drunk Butterfly
6 Avanti Galoppi
7 Marshall
8 Imaginary Portrait
9 Five O' Clock Follies


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muzycy:
Mark Whitecage: alto saxophone, clarinet
Adam Lane: double-bass
Lou Grassi: drums

Audio Video, 2008-12:
"...Trio stosunkowo mało znanych muzyków chociaż dwóch (Lou Grassi i Mark Whitecage) to już nestorzyn amerykańskiej sceny free jazzowej. Pierwszym jednak nazwiskiem na płycie - w pełni zasłużenie - jest Adam Lane. Niezwykle utalentowany muzyk i kompozytor (połowa u i utworów na płycie wyszła spod jego pióra) mocno osadza muzykę w jazzowej tradycji. Świetny feeling podkreśla jeszcze głębię brzmienia basu, co znakomicie wykorzystuje Whitecage zwłaszcza gdy w improwizacji sięga po górne, skrajne rejestry altowego saksofonu. Świetna płyta nie tylko dla miłośników free jazzu..."

All About Jazz:
Drunk Butterfly explores the varied subtleties of acoustic swing in an increasingly eclectic post bop age. With a collective resume that includes work with Anthony Braxton, Burton Greene, Gunter Hampel, and John Tchicai, saxophonist Mark Whitecage, bassist Adam Lane and drummer Lou Grassi bring a resonant historical awareness to this session. With knowing restraint, Whitecage, Lane, and Grassi invest these pieces with a sober sense of maturity, without ever sacrificing the exploratory zeal that defines the finest free jazz.

Less a traditional saxophone trio recording than a summit meeting of three stellar improvisers, this date features the musicians on equal footing, as writer, soloist, and accompanist. Each member contributes a handful of pieces, with each tune distinctive in its own right yet thematically adherent to the set's overall post bop aesthetic. Open-ended in approach, the trio pays close attention to harmonic and rhythmic signposts throughout these melodic selections, maintaining a semblance of structure in even the most chaotic passages.

Focusing on alto sax and doubling occasionally on clarinet, Whitecage holds forth with a robust tone and facile linear phrasing, as he unfurls pungent cadences that curl into poignant Ornettish declarations. Lane, the youngest member of the trio and prin
.......
more

Audio Video, 2008-12:
"...Trio stosunkowo mało znanych muzyków chociaż dwóch (Lou Grassi i Mark Whitecage) to już nestorzyn amerykańskiej sceny free jazzowej. Pierwszym jednak nazwiskiem na płycie - w pełni zasłużenie - jest Adam Lane. Niezwykle utalentowany muzyk i kompozytor (połowa u i utworów na płycie wyszła spod jego pióra) mocno osadza muzykę w jazzowej tradycji. Świetny feeling podkreśla jeszcze głębię brzmienia basu, co znakomicie wykorzystuje Whitecage zwłaszcza gdy w improwizacji sięga po górne, skrajne rejestry altowego saksofonu. Świetna płyta nie tylko dla miłośników free jazzu..."

All About Jazz:
Drunk Butterfly explores the varied subtleties of acoustic swing in an increasingly eclectic post bop age. With a collective resume that includes work with Anthony Braxton, Burton Greene, Gunter Hampel, and John Tchicai, saxophonist Mark Whitecage, bassist Adam Lane and drummer Lou Grassi bring a resonant historical awareness to this session. With knowing restraint, Whitecage, Lane, and Grassi invest these pieces with a sober sense of maturity, without ever sacrificing the exploratory zeal that defines the finest free jazz.

Less a traditional saxophone trio recording than a summit meeting of three stellar improvisers, this date features the musicians on equal footing, as writer, soloist, and accompanist. Each member contributes a handful of pieces, with each tune distinctive in its own right yet thematically adherent to the set's overall post bop aesthetic. Open-ended in approach, the trio pays close attention to harmonic and rhythmic signposts throughout these melodic selections, maintaining a semblance of structure in even the most chaotic passages.

Focusing on alto sax and doubling occasionally on clarinet, Whitecage holds forth with a robust tone and facile linear phrasing, as he unfurls pungent cadences that curl into poignant Ornettish declarations. Lane, the youngest member of the trio and prin
.......
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