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Di Fidl Kapelye
Trumpets for Di Fidl-Kapelye

folk/ethno
Music & Words, 2009

total time: 60:21

aver. mark: -    mark it!

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CD:14,69€
Out of stock
availability: about a month ?
cat. no: MWCD4055
format : CD
number of discs : 1
packaging : jewel case


no. title play mp3
1 Broccoli Bulgar - Di Fidl-Kapelye, Gijs Levelt
2 Pera Palas - Di Fidl-Kapelye, Gijs Levelt
3 Skotchne - Di Fidl-Kapelye, Joel Engel
4 Honga Elongata - Di Fidl-Kapelye, Frank London
5 Hartsklap - Di Fidl-Kapelye, Susan Watts
6 Simkha's Toreh - Di Fidl-Kapelye, Yiddish Orchester
7 Volekh/Bulgorski Zhok - Di Fidl-Kapelye, Belf's Rumanian Orc
8 Opshpil Far di Mekhutonim - Di Fidl-Kapelye, Dave Tarras
9 Kolomeika - Di Fidl-Kapelye, Naftule Brandwein
10 Moldavian Bulgars - Di Fidl-Kapelye,
11 Tish Nign - Di Fidl-Kapelye, Traditional
12 Kolodobre - Di Fidl-Kapelye, Job Chajes
13 Shaleshudes - Di Fidl-Kapelye, Eve Monzingo
14 Sirba/Left Foot Sirba - Di Fidl-Kapelye, Traditional
15 Faith Hora - Di Fidl-Kapelye, Frank London


  let me know when samples will be available
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muzycy:
Madelien Schelp-Verheij: violin
Jiska ter Bals: violin
Pit Hermans: cimbalom
Djoeke Klijzing: cello
Jet Stevens: double bass

www.klezmershack.com:
Klezmer string ensembles are part of every bigger workshop like KlezKanada or Yiddish-Summer-Weimar. Hearing those ensembles perform at the final student concerts for me belongs do the best moments of such workshops. Their sound is just gorgeous. It's interesting that next to no klezmer string ensembles exist outside of such workshop environments. The only one I know is the dutch klezmer group Di Fidl-Kapelye.
Di Fidl-Kapelye has just released their second album, which is called "Trumpets for di Fidl-Kapelye". Although the title of the album might suggest it, you don't get to hear a lot of trumpet sound on this recording. Only two out of fifteen tracks feature trumpet player Gijs Levelt. He is a guest musician on this album and well known of being a member of the Amsterdam Klezmer Band. What the title of the album actually means is that Levelt and other famous trumpet players in the klezmer world like Susan Watts and Frank London have written new compositions especially for the dutch string ensemble. The outcome is really worth hearing.
If a promising band releases its second album, you might be tempted to compare it to the first one and expect the band to make a progress. In this case it is clear that the band did make this progress. I liked their approach to klezmer music and their arrangements already on the first album. On their second album the band did not change their way of arranging (thank g-d), but you can tell that they became more confident in choosing the right pattern of arrangement for each piece. Overall, their sound became more refined and mature.
The new album does not consist of new compositions alone, the band also recorded pieces belonging to the traditional klezmer repertoire. What stands out again are the arrangements. Can you imagine the sound of a brass band playing Goldenshteyn bulgars produced by a string ensemble? Go listen to track No. 10. Cello player Djoeke Klijzing did an amazing job i
.......
more

www.klezmershack.com:
Klezmer string ensembles are part of every bigger workshop like KlezKanada or Yiddish-Summer-Weimar. Hearing those ensembles perform at the final student concerts for me belongs do the best moments of such workshops. Their sound is just gorgeous. It's interesting that next to no klezmer string ensembles exist outside of such workshop environments. The only one I know is the dutch klezmer group Di Fidl-Kapelye.
Di Fidl-Kapelye has just released their second album, which is called "Trumpets for di Fidl-Kapelye". Although the title of the album might suggest it, you don't get to hear a lot of trumpet sound on this recording. Only two out of fifteen tracks feature trumpet player Gijs Levelt. He is a guest musician on this album and well known of being a member of the Amsterdam Klezmer Band. What the title of the album actually means is that Levelt and other famous trumpet players in the klezmer world like Susan Watts and Frank London have written new compositions especially for the dutch string ensemble. The outcome is really worth hearing.
If a promising band releases its second album, you might be tempted to compare it to the first one and expect the band to make a progress. In this case it is clear that the band did make this progress. I liked their approach to klezmer music and their arrangements already on the first album. On their second album the band did not change their way of arranging (thank g-d), but you can tell that they became more confident in choosing the right pattern of arrangement for each piece. Overall, their sound became more refined and mature.
The new album does not consist of new compositions alone, the band also recorded pieces belonging to the traditional klezmer repertoire. What stands out again are the arrangements. Can you imagine the sound of a brass band playing Goldenshteyn bulgars produced by a string ensemble? Go listen to track No. 10. Cello player Djoeke Klijzing did an amazing job i
.......
more

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