'Utopia' is the debut recording of Tom Kerstens with his newly formed G Plus Ensemble. The group was created specifically for the recording of newly commissioned writing. Here Tom Kerstens discusses the background the making of 'Utopia'in conversation with Tony Davis:

"For over one hundred and fifty years, the guitar has been languishing on the periphery, overlooked by composers and out of touch with mainstream developments. Solo classical guitar does not have the high quality repertoire available to other instruments. Nor, since ensembles grew louder during the 19th century, has the quiet voice of the guitar had much written for it. It is a highly idiomatic instrument and is difficult to write for if you are not a guitarist and do not know its qualities and limitations.

I was able to commission some leading composers, such as Howard Skempton, Giles Swayne, Terry Riley and Kevin Volans. However, I needed to adopt a fresh approach so I targeted talented young UK composers such as Joby Talbot, Errollyn Wallen, Philip Cashian, John Metcalfe and Graham Fitkin. I have been working with some of them for 10 years now.

The need to create repertoire for the guitar is one of the great pleasures of contemporary music. I have commissioned work from composers who operate outside as well as within the classical world. This openness is also part of my campaign to get compositions for the guitar listened to by a much wider range of people than those who you would normally expect to attend a chamber recital in a concert hall.

The guitar is the most popular instrument in the world. However, informed interpretation, the essential characteristic of western classical music, is only possible if you have a repertoire of the highest quality to interpret. The gap between popular and classical guitar culture is huge and I have been eager to begin to bridge it, as well as to add to the range of contemporary music repertoire.
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more

'Utopia' is the debut recording of Tom Kerstens with his newly formed G Plus Ensemble. The group was created specifically for the recording of newly commissioned writing. Here Tom Kerstens discusses the background the making of 'Utopia'in conversation with Tony Davis:

"For over one hundred and fifty years, the guitar has been languishing on the periphery, overlooked by composers and out of touch with mainstream developments. Solo classical guitar does not have the high quality repertoire available to other instruments. Nor, since ensembles grew louder during the 19th century, has the quiet voice of the guitar had much written for it. It is a highly idiomatic instrument and is difficult to write for if you are not a guitarist and do not know its qualities and limitations.

I was able to commission some leading composers, such as Howard Skempton, Giles Swayne, Terry Riley and Kevin Volans. However, I needed to adopt a fresh approach so I targeted talented young UK composers such as Joby Talbot, Errollyn Wallen, Philip Cashian, John Metcalfe and Graham Fitkin. I have been working with some of them for 10 years now.

The need to create repertoire for the guitar is one of the great pleasures of contemporary music. I have commissioned work from composers who operate outside as well as within the classical world. This openness is also part of my campaign to get compositions for the guitar listened to by a much wider range of people than those who you would normally expect to attend a chamber recital in a concert hall.

The guitar is the most popular instrument in the world. However, informed interpretation, the essential characteristic of western classical music, is only possible if you have a repertoire of the highest quality to interpret. The gap between popular and classical guitar culture is huge and I have been eager to begin to bridge it, as well as to add to the range of contemporary music repertoire.
<.......
more