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Jarek Adamów
Expedition to the Lost World - Part One, Winter [with Traditional Polish Vocal Ansamble Sami Swoi]

folk/ethno
Folken, 2006

total time: 45:00

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CD:8,54€
in stock
cat. no: CD01
EAN: 5901436593003
format : CD
number of discs : 1
packaging : jewel case
FLAC file:7,12€
+ booklet : booklet scanned in jpg
 
mp3 file:5,93€
bitrate : 320 kb/s


no. title play mp3
1 Spadła Z Wi¶ni (She Fell Down From the Cherry - Tree) 2:40
2 Dziadek (Old Man's Song) 4:41
3 Mamulutulu 3:47
4 Weczer Weczeryje 1:40
5 Leciały żUrawie (Crane's Flight) 3:44
6 Babcia (Grandmother) 3:45
7 Kochasz Ty Dom? (Where My Home Is?) 2:45
8 Kalina (Guelder - Rose) 6:32
9 Prze¶piewki 4:37
10 Ułani (Uhlans) 2:29
11 Pod Borem Na Murawce (Near the Forest) 3:21
12 Hej Po Dolinie (In the Valley) 4:54


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https://youtu.be/rQsQEhWrOUk
https://youtu.be/4CpOZ7um9LQ
https://youtu.be/jZguuumVj9g


Jarek Adamów - ¶piew, akordeon, bęben basowy
Jadwiga Palonka - ¶piew
Stanisława Dutka - ¶piew
Irena Remiszewska - ¶piew
Władysław Kuczyński - cymbały, ¶piew

An interesting collaboration between instrumentalist and singer Adamów and four traditional singers. The production's very heavy-handed at times, but the material and presentation is never less than fascinating. There's a real sense of adventure here, as well as collecting songs that might otherwise be lost. Recorded live near the border of Poland and Ukraine, this is a fabulous document&183;--Chris Nickson

reviews:

Roots issue 287, 2007.........
Young Polish revival traditional musician Jarek Adamów, whose solo second album was reviewed in fR 252, here combines his singing, melodeon, foot-stamping and bass drum with the voices of four elderly surviving members, one male and three female, of 1980-founded village music group Sami Swoi from the Polish-Ukrainian border. They’re not virtuoso singers, but Adamów says he wanted to make something a little like the archive recordings he loves. He points out that today’s listeners might find some of the subject matter strange, but says “I just tried to catch the moment in time which was about 70 years ago, and be as authentic as possible”. Whatever the disputes one might have with the concept and possibility of ‘authenticity’, he has certainly made an album which is more varied and enjoyable than simply recording these singers as is, with no musical input from him; the result is uncondescending, non-flashy and appealing in its warmth, and it brings out the melodic variety and interest of the songs. The release, on his own label, the first of what he plans as a series, has just a simple single-fold booklet; financial resources are probably tight, but an expansion would have been welcome, to include more information about the songs, and also about these four people - photographed for the cover in traditional costume and calf-deep in snow - and their relation to their tradition.......Andrew Cronshaw

Folker - Das musik magazin
Seit übe
.......
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Tradycyjne pie¶ni w tradycyjnym i autorskim opracowaniu, z powiatu hrubieszowskiego i ziemi wołyńskiej, bezmiernej i majestatycznej.

An interesting collaboration between instrumentalist and singer Adamów and four traditional singers. The production's very heavy-handed at times, but the material and presentation is never less than fascinating. There's a real sense of adventure here, as well as collecting songs that might otherwise be lost. Recorded live near the border of Poland and Ukraine, this is a fabulous document&183;--Chris Nickson

reviews:

Roots issue 287, 2007.........
Young Polish revival traditional musician Jarek Adamów, whose solo second album was reviewed in fR 252, here combines his singing, melodeon, foot-stamping and bass drum with the voices of four elderly surviving members, one male and three female, of 1980-founded village music group Sami Swoi from the Polish-Ukrainian border. They’re not virtuoso singers, but Adamów says he wanted to make something a little like the archive recordings he loves. He points out that today’s listeners might find some of the subject matter strange, but says “I just tried to catch the moment in time which was about 70 years ago, and be as authentic as possible”. Whatever the disputes one might have with the concept and possibility of ‘authenticity’, he has certainly made an album which is more varied and enjoyable than simply recording these singers as is, with no musical input from him; the result is uncondescending, non-flashy and appealing in its warmth, and it brings out the melodic variety and interest of the songs. The release, on his own label, the first of what he plans as a series, has just a simple single-fold booklet; financial resources are probably tight, but an expansion would have been welcome, to include more information about the songs, and also about these four people - photographed for the cover in traditiona
.......
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