Serpent.pl ....... ....... ....... contact
help shipping costs
        
Currency
EUR USD
wyszukiwanie zaawansowane


promocje

Piotr Zabrodzki
Zdzisław Piernik
Namanga
CD: 9,73€

Satanicpornocultshop
Takusan No Ohanasan
CD: 8,54€

Acid Mothers Temple
Hotter Than Inferno / Live in Sapporo 2008 [& The Cosmic Inferno]
CD: 10,92€

Various
city songs IX
CD: 8,54€

Murcof
The Versailles Sessions
CD: 9,49€

Kampen Skoles Musikkorps
The Kingdoms Of Elgaland-Vargaland National Anthem #5
winyl: 10,44€

Gunter Muller
BUENOS AIRES TAPES
CD: 10,42€

Lionel Marchetti
Yoko Higashi
OKURA 73°N - 42°E
CD: 14,24€

Emiter
Microsillon
CD: 4,75€

Jeff Rehnlund
Empty glove pointing
kaseta: 5,22€
more >>>

Dub Taylor
Lumiere

avantgarde/ electronic/ classical
Sub Rosa, 2011

total time: 35:41

aver. mark: -    mark it!

add to wish list   ?
shipping costs


CD:11,87€
in stock
cat. no: SR327
format : CD
number of discs : 1
packaging : digipack


no. title play mp3
1 Lumiere (For Synthesized and Concrete Sound) part one 17:11
2 Lumiere (For Synthesized and Concrete Sound) part two 14:52
3 (extra unreleased track - only on CD) Variations on the 'Dudley Do-Right' Theme 03:19


  let me know when samples will be available
  tell to your friend

 

Reissue of DUB TAYLOR's masterpiece Lumiere recorded in 1972

This real masterpiece of Concrete and Synthesized music was no more available since its original manufacture in 1973.

Dub Taylor is an US composer, producer, engineer and designer born June 22, 1948 in Burbank, California.
He has many creative facets: recording and mastering engineer, record producer as well as composer, graphic designer and visual artist.
He has studied with pianist Richard Bunger and composer Karlheinz Stockhausen.
Not long after the release of Lumiere, Taylor established Vargod Studios for electronic music and recorded sound, where in 1974 he created his second work, Variations on the 'Dudley Do-Right' Theme for sampled and processed sound (never released before, this exclusive track is included on the CD version).
Taylor has bounced between the music world and the visual arts for most of his life and continues to pursue diverse creative projects.


Lumiere" evolved over a period of three years from 1969 to 1972.
I started by recording random sounds: Jets taking off at LAX, my girlfriend laughing and screaming, my cat Bartok biting a microphone, conversations, etc.
I also sampled music, film soundtracks and TV and radio broadcasts.
During this period I acquired the first self-contained portable synthesizer,the newly-designed ARP 2600. I began to envision an electronic and Musique Concrete piece combining various natural and processed sound recordings with synthesized sound into a suite of noise. In June of 1972 I did a preliminary
version of elements of the piece. By October I was ready to put it all together.
I set up all these reel to reel machines with tapes I had pre-recorded and plugged them into a mixing board, feeding stereo to a two-track master 15 IPS Revox
A77 tape deck. My idea was to create a sound collage with form but without losing spontaneity and
.......
more

Reissue of DUB TAYLOR's masterpiece Lumiere recorded in 1972

This real masterpiece of Concrete and Synthesized music was no more available since its original manufacture in 1973.

Dub Taylor is an US composer, producer, engineer and designer born June 22, 1948 in Burbank, California.
He has many creative facets: recording and mastering engineer, record producer as well as composer, graphic designer and visual artist.
He has studied with pianist Richard Bunger and composer Karlheinz Stockhausen.
Not long after the release of Lumiere, Taylor established Vargod Studios for electronic music and recorded sound, where in 1974 he created his second work, Variations on the 'Dudley Do-Right' Theme for sampled and processed sound (never released before, this exclusive track is included on the CD version).
Taylor has bounced between the music world and the visual arts for most of his life and continues to pursue diverse creative projects.


Lumiere" evolved over a period of three years from 1969 to 1972.
I started by recording random sounds: Jets taking off at LAX, my girlfriend laughing and screaming, my cat Bartok biting a microphone, conversations, etc.
I also sampled music, film soundtracks and TV and radio broadcasts.
During this period I acquired the first self-contained portable synthesizer,the newly-designed ARP 2600. I began to envision an electronic and Musique Concrete piece combining various natural and processed sound recordings with synthesized sound into a suite of noise. In June of 1972 I did a preliminary
version of elements of the piece. By October I was ready to put it all together.
I set up all these reel to reel machines with tapes I had pre-recorded and plugged them into a mixing board, feeding stereo to a two-track master 15 IPS Revox
A77 tape deck. My idea was to create a sound collage with form but without losing spontaneity and
.......
more

-
 
zaloguj

koszyk
files:
CDs:
wish list:
0,00€
0,00€
0

bestseller
more >>>

recenzje
/ Reportaż
Muzyka do Tańca (Dancing Music)
Powyższe recenzje wyjaśniają ...
/ BOB DRAKE
Lawn Ornaments
Szkoda że Bob Drake wciąż tyl...
/ Tatsuya Yoshida/ Piotr Zabrodzki
Karakany
Duet pokazuje jak grać ekstre...
/ Raphael Rogiński
plays John Coltrane and Langston Hughes. African mystic music
mistyczna trasa

promocja
okl_11230_m.jpg TSURUBAMI
TENRIN
CD: 8,54€
more >>>
ostatnio kupione
 
serpent.pl / shop / latest / special offers / new / recommended / labels / artists / bestsellers / shipping costs / help / terms and conditions / contact