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VLADISLAV DELAY
Vantaa

electronic
Raster-Noton, 2011

total time: 52:51

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CD:14,24€
Out of stock
availability: a week ?
cat. no: r-n136
format : CD
number of discs : 1
packaging : ecopack


no. title play mp3
1 Luotasi 8:13
2 Henki 0:54
3 Lipite 15:45
4 Narri 7:05
5 Vantaa 6:15
6 Lauma 8:10
7 Levite 6:29


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with vantaa, raster-noton releases for the first time an album by vladislav delay aka sasu ripatti. ripatti, one of the pioneers of electronic music of the last decade(s), who is known for several projects, has attracted our attention and received our respect most notably under his pseudonym vladislav delay. vantaa will be the beginning of a long lasting collaboration, which will extend and deepen the spectrum of the label, whereas it falls in line with releases of, for example, william bassinsky, robert lippok, or mitchell akiyama.

even though complex electronic manipulations are used, vantaa wants to sound like a piece of nature, resulting in a mixture of techno/dub and organic textures. the tracks oscillate between a decadent, greyish, post-industrial sound cloud and the intimate atmosphere of a vast and desolate finnish landscape. ripatti plays with tiny rhythmic bricks that drift and collapse, but nevertheless create spaces that radiate calmness and tranquility. being an experienced producer, he uses his know-how to layer compact sound fabrics in unusual ways. in this case, these elements arouse associations with gushing water, crackling wood, or growing grass. the tracks on vantaa merge into each other and their density escalates with „lauma“ into an energetic climax, which is all at once the ecstatic, shamanic and truly moving peak of the album.

vantaa‘s style is sensitive and intelligent, but nevertheless subtly stirring and rich in detail. while listening to it, it is possible to completely dive into its matter and detect something new in nearly every bar, or simply let it have an effect as a particular but unobtrusive sideline. with this typical vladislav delay aesthetic, ripatti has acquired an unique and distinctive style that vantaa, his 10th vladislav delay album, deservingly celebrates.

www.hifly.dk:
„Vladislav Delay aka Sasu Ripatti returns with a full-length for Raster-Noton
.......
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Nowa płyta Vladislava Delaya (znanego także jako Luomo, Uusitallo czy współpracy z Moritzem Von Oswaldem, wydana przez niemiecki Raster-Noton.

Fiński producent Sasu Ripatti jest artyst± niezwykłym, cenionym na scenie muzyki elektronicznej i niezależnej. Nagrywa pod wieloma pseudonimami (np. Vladislav Delay, Luomo, Uusitalo), w najróżniejszych wydawnictwach (np. Mille Plateaux, Chain Reaction, Force Tracks, BPitch Control czy własny label Huume), jest także członkiem supergrupy Moritz Von Oswald Trio.

Znany z najrozmaitszych projektów i eksperymentów muzycznych Delay (Ripatti), tym razem stworzył co¶ na kształt delikatnego, techno-dubowego zbliżenia ku fińskim krajobrazom. Jakkolwiek dziwnie to brzmi warto sięgn±ć po now± płytę tego artysty.
with vantaa, raster-noton releases for the first time an album by vladislav delay aka sasu ripatti. ripatti, one of the pioneers of electronic music of the last decade(s), who is known for several projects, has attracted our attention and received our respect most notably under his pseudonym vladislav delay. vantaa will be the beginning of a long lasting collaboration, which will extend and deepen the spectrum of the label, whereas it falls in line with releases of, for example, william bassinsky, robert lippok, or mitchell akiyama.

even though complex electronic manipulations are used, vantaa wants to sound like a piece of nature, resulting in a mixture of techno/dub and organic textures. the tracks oscillate between a decadent, greyish, post-industrial sound cloud and the intimate atmosphere of a vast and desolate finnish landscape. ripatti plays with tiny rhythmic bricks that drift and collapse, but nevertheless create spaces that radiate calmness and tranquility. being an experienced producer, he uses his know-how to layer compact sound fabrics in unusual ways. in this case, these elements arouse associations with gushing water, crackling wood, or growing grass. the tracks o
.......
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