David Brown: bandoura, bass guitar, bowed acoustic guitar, bowed objects, semi-acoustic guitar, child's tenor guitar, chord organ, electric guitar, ukelin, guitar pedals, lawn bowls, mandolin, percussion, prepared acoustic guitar and rainstick (dog-trainer)
Tim Catlin: acoustic guitar, bowed acoustic guitar, bowed electric guitar, bowed objects, electric guitar, fretless electric guitar, guitar pedals, percussion and prepared acoustic guitar

Recorded by David Brown and Tim Catlin
Assembled by David Brown at Greenohm
Mastered by Philip Samartzis
Photo by David Brown
Design by Mirt

Shadows gather under cardboard where animal dreams and cello bows struggle to hold off electricity. Sounds of bells are rushed, entangled with rain, through measly slots between tightly crosshatched wires. This fabricates perforated fragments of seeing. These fragments adhere in the air to form a soft abrasive paper, fancied by the remote ones.
(–) David Brown

As a duo Tim Catlin and David Brown aka Candlesnuffer come together as 'Helium Clench' and boast long histories in the Melbourne and international avant-garde music world. Both have independently developed a fascination with microtonal sound, in particular through Catlin's construction of harmonic overtone guitars and metal rod instruments tuned in just intonation, and in Brown's case through his explorations using the quartertone bass guitar. 'Sieve', their first duo recording is a studio-based project which amalgamates electroacoustic strategies, bowed objects and processed acoustic and electric instruments.

Shadows gather under cardboard where animal dreams and cello bows struggle to hold off electricity. Sounds of bells are rushed, entangled with rain, through measly slots between tightly crosshatched wires. This fabricates perforated fragments of seeing. These fragments adhere in the air to form a soft abrasive paper, fancied by the remote ones.
(–) David Brown

As a duo Tim Catlin and David Brown aka Candlesnuffer come together as 'Helium Clench' and boast long histories in the Melbourne and international avant-garde music world. Both have independently developed a fascination with microtonal sound, in particular through Catlin's construction of harmonic overtone guitars and metal rod instruments tuned in just intonation, and in Brown's case through his explorations using the quartertone bass guitar. 'Sieve', their first duo recording is a studio-based project which amalgamates electroacoustic strategies, bowed objects and processed acoustic and electric instruments.