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JAN St. WERNER
BLAZE COLOUR BURN

electronic
Thrill Jockey, 2013

aver. mark: -    mark it!

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vinyl:18,28€
Out of stock
availability: up to a month ?
cat. no: THRILL 338 LP
format : 12"LP
number of discs : 1


no. title play mp3
1 Cloud Diachroma
2 Spiazzacorale B
3 Feed Opener
4 Serra Beacon
5 Spiazzacorale A
6 Sipian Organ


  let me know when samples will be available
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from Mouse On Marse, Litophs






Blaze Colour Burn is a new work from electronic music pioneer and innovator Jan St. Werner (Mouse on Mars, Lithops, Microstoria) inaugurating Fiepblatter, a series of genre-dismantling releases on Thrill Jockey that will encompass electro-acoustic experimentation, algorithmic elements, scored music, digital signal processing, field recordings, improvisation, public performance and graphic works. These pieces aren't just about sound; they're about location, structure, time, aesthetics. Stories that overlap and interact with each other.

Blaze Colour Burn was mastered and cut to vinyl by Rashad Becker at D&M in Berlin. The LP is pressed on virgin vinyl and comes with a free download coupon.

The five pieces gathered here find the Mouse On Mars co-pilot giving full vent to his wired, witty and wildly ambitious artistic practice, and constitute a radical new approach to sound, one that does away with traditional hierarchies. The two-part 'Spiazzacorale' is an edit of an 8-hour performance given in a public piazza in the Umbria region of Italy, and like MoM's recent live collaborations with musikFabrik, it advances and explodes conventional ideas of orchestration. The "players" include a flute orchestra, a traditional Umbrian band playing a time-stretched chord derived from the harmonics of the piazza's church bells, a lone vibraphonist in the piazza centre, and pre-recorded music sounding from inside the piazza's cafes. This dynamic, mammoth 8-hour performance - authored, arranged and processed by St Werner - gave fresh new meaning to the term "location-specific", and here on record, unmoored from that location, it becomes even more mysterious and exhilarating.

'Cloud Diachroma' and 'Sipian Organ' are extracted from original scores made for films by visual artist Rosa Barba; they feature acoustic recordings juxtaposed with DSP manipulations. Again, there's an extraordinary level of spatial depth and awareness a
.......
more



Blaze Colour Burn is a new work from electronic music pioneer and innovator Jan St. Werner (Mouse on Mars, Lithops, Microstoria) inaugurating Fiepblatter, a series of genre-dismantling releases on Thrill Jockey that will encompass electro-acoustic experimentation, algorithmic elements, scored music, digital signal processing, field recordings, improvisation, public performance and graphic works. These pieces aren't just about sound; they're about location, structure, time, aesthetics. Stories that overlap and interact with each other.

Blaze Colour Burn was mastered and cut to vinyl by Rashad Becker at D&M in Berlin. The LP is pressed on virgin vinyl and comes with a free download coupon.

The five pieces gathered here find the Mouse On Mars co-pilot giving full vent to his wired, witty and wildly ambitious artistic practice, and constitute a radical new approach to sound, one that does away with traditional hierarchies. The two-part 'Spiazzacorale' is an edit of an 8-hour performance given in a public piazza in the Umbria region of Italy, and like MoM's recent live collaborations with musikFabrik, it advances and explodes conventional ideas of orchestration. The "players" include a flute orchestra, a traditional Umbrian band playing a time-stretched chord derived from the harmonics of the piazza's church bells, a lone vibraphonist in the piazza centre, and pre-recorded music sounding from inside the piazza's cafes. This dynamic, mammoth 8-hour performance - authored, arranged and processed by St Werner - gave fresh new meaning to the term "location-specific", and here on record, unmoored from that location, it becomes even more mysterious and exhilarating.

'Cloud Diachroma' and 'Sipian Organ' are extracted from original scores made for films by visual artist Rosa Barba; they feature acoustic recordings juxtaposed with DSP manipulations. Again, there's an extraordinary level of spatial depth and awareness a
.......
more

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