On Veronika Vlková's painting for Floex' new EP “Gone”, the mountain ghosts are watching the flood from the mountain tops which stick out of water. In his latest work Floex is trying to express the melancholic mood of the last days of stability and harmony. While “Gone” thematizes instability expressed by the Apocalypse in a “macroscopic sense”, and musically for Tomáš in the quite traditional way of vocal pieces, the other two short ambient tracks accompanying the title song reflect the theme in different ways.

“Saturnin Fire And The Restless Ocean” creates a kind of “microscopic world” counterpart to “Gone”. It was inspired by the thoughts on inner harmony by Tomáš' Chinese medicine doctor friend: when mind and heart are in balance, the heart is like shining fire and the mind is like a calm and still ocean. If things are getting unstable, the heart's fire is becoming volatile and the mind's ocean's waves start to swell. While “Saturnin …” is a very intimate song on this self-reflection of the personal psychic landscape, it easily becomes a strong epic hymn in the hands of Joe Acheson of Hidden Orchestra. With this, Joe is returning the remix favour on Hidden Orchestra's earlier Denovali Records release “Flight”, which included Floex' “Dust Remix”. It is great to listen to another offspring of the continuing dialogue between these musical mates.

There are more things that all songs of this release have in common - the typical sound of Floex' Petrof piano. It endorses the melancholic and ethereal mood of the EP songs, and the final four-hand piano piece “Time To Go” makes no exception. It includes field recordings grasping the theatrical “farewell” scene from a sound installation at the Brixen Fortress during the Manifesta festival. This song was originally created from the four-hand composition of To.......
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On Veronika Vlková's painting for Floex' new EP “Gone”, the mountain ghosts are watching the flood from the mountain tops which stick out of water. In his latest work Floex is trying to express the melancholic mood of the last days of stability and harmony. While “Gone” thematizes instability expressed by the Apocalypse in a “macroscopic sense”, and musically for Tomáš in the quite traditional way of vocal pieces, the other two short ambient tracks accompanying the title song reflect the theme in different ways.

“Saturnin Fire And The Restless Ocean” creates a kind of “microscopic world” counterpart to “Gone”. It was inspired by the thoughts on inner harmony by Tomáš' Chinese medicine doctor friend: when mind and heart are in balance, the heart is like shining fire and the mind is like a calm and still ocean. If things are getting unstable, the heart's fire is becoming volatile and the mind's ocean's waves start to swell. While “Saturnin …” is a very intimate song on this self-reflection of the personal psychic landscape, it easily becomes a strong epic hymn in the hands of Joe Acheson of Hidden Orchestra. With this, Joe is returning the remix favour on Hidden Orchestra's earlier Denovali Records release “Flight”, which included Floex' “Dust Remix”. It is great to listen to another offspring of the continuing dialogue between these musical mates.

There are more things that all songs of this release have in common - the typical sound of Floex' Petrof piano. It endorses the melancholic and ethereal mood of the EP songs, and the final four-hand piano piece “Time To Go” makes no exception. It includes field recordings grasping the theatrical “farewell” scene from a sound installation at the Brixen Fortress during the Manifesta festival. This song was originally created from the four-hand composition of To.......
more