Johannes Frisch works since the late 1970s as a performer, composer and improviser of contemporary music between experimental rock, free jazz and other openminded styles. on his main instrument, the double bass, he works for more than three decades consequently on an individual expressive language. he played with lot of musicians of the international scene of free improvisation and all experimental fields - among others Lol Coxhill, Maggie Nicols, Johannes Bauer, Le Quan Ninh, Paul Hubweber, Michael Vorfeld, Misha Feigin … compositions for theatre, film and dance theater actual projects include Kammerflimmer Kollektief; and collaborations with Helmut Bieler-Wendt.

Ralf Wehowsky founded the group P.D. (in 1981 renamed P16.D4) and the label Wahrnehmungen (in 1982 renamed Selektion) in 1980. P16.D4 were one of the most influential groups of experimental industrial music. They developed concepts of materialaustausch long before the term remix was even coined. For their live appearances they were equally at home, at punk and no wave festivals and at the holy grails of academic avantgarde like the Ferientage Neuer Musik or Darmstadt. Since the early 90s Wehowsky works under his own name (rlw). The quiet, highly complex style of composition, based on artifacts of instrumental and electronic lateral noises, evolving out of his collaboration with bernhard günter was influential for numerous artists in the fields of electronic and
improvised music. Some reflections on his work can be found on TULPAS, a 5CD-box-set, featuring more than 50 artists performing their versions of rlw pieces (incl. Jim O´Rourke, Brume, Achim Wollscheid, Toshiya Tsunoda, John Duncan, Antanas Jasenka, Ryoji Ikeda, John Watermann a.o.). The new millennium showed a new approach of integrating improvised music and composition (as can be found on the CDs “VIEWS” and “SIGHTS”, the latter w/ long-time collaborators Bruce
Russell and Johannes Frisch).......
more

Johannes Frisch works since the late 1970s as a performer, composer and improviser of contemporary music between experimental rock, free jazz and other openminded styles. on his main instrument, the double bass, he works for more than three decades consequently on an individual expressive language. he played with lot of musicians of the international scene of free improvisation and all experimental fields - among others Lol Coxhill, Maggie Nicols, Johannes Bauer, Le Quan Ninh, Paul Hubweber, Michael Vorfeld, Misha Feigin … compositions for theatre, film and dance theater actual projects include Kammerflimmer Kollektief; and collaborations with Helmut Bieler-Wendt.

Ralf Wehowsky founded the group P.D. (in 1981 renamed P16.D4) and the label Wahrnehmungen (in 1982 renamed Selektion) in 1980. P16.D4 were one of the most influential groups of experimental industrial music. They developed concepts of materialaustausch long before the term remix was even coined. For their live appearances they were equally at home, at punk and no wave festivals and at the holy grails of academic avantgarde like the Ferientage Neuer Musik or Darmstadt. Since the early 90s Wehowsky works under his own name (rlw). The quiet, highly complex style of composition, based on artifacts of instrumental and electronic lateral noises, evolving out of his collaboration with bernhard günter was influential for numerous artists in the fields of electronic and
improvised music. Some reflections on his work can be found on TULPAS, a 5CD-box-set, featuring more than 50 artists performing their versions of rlw pieces (incl. Jim O´Rourke, Brume, Achim Wollscheid, Toshiya Tsunoda, John Duncan, Antanas Jasenka, Ryoji Ikeda, John Watermann a.o.). The new millennium showed a new approach of integrating improvised music and composition (as can be found on the CDs “VIEWS” and “SIGHTS”, the latter w/ long-time collaborators Bruce
Russell and Johannes Frisch).......
more