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Traband
Vlnobeat

avant-pop
Indies, 2015

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CD:15,43€
Out of stock
availability: about a month ?
cat. no: MAM550-2
format : CD
number of discs : 1


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Started up and released. Traband's Lovepunk foreshadows a high octane number and a proper use consumption of strings. The recording is called Vlnobeat and fourteen songs by Jarda Svoboda have been changed into cheerful punk, radical love story and lyrical protest songs. Beats move and roam on the foundation of dance and rock rhythms, conveying the feeling of psychedelia of the 60s, through country music and torn punk they go back to the beginnings of the best stuff by Traband. Compared to previous albums there is less of storytelling and the epic songs of last albums are now completely missing. You can get carried away on waves of emotions, joy and sadness, euphoria and disappointment - yet always with determination "not to have the joy taken from us", as the refrain of one of the songs goes. The album Vlnobeat will be released for the 20th anniversary of Traband's existence.

Traband recorded Vlnobeat in their traditional formation (tuba-trumpet-guitar-drums), completed with a five-string banjo player Radim Huml. Although banjo evokes bluegrass and country music style, Traband adjusted this instrument to rock and dance beats, sometimes even resembling the psychedelia of the 60s. The album was recorded in Bubny studio of Michal Ditrich, whose musical past (Hypnotix, Babalet, Abraxas) has affected the band as well. As Jarda Svoboda reveals, the recording was being made in a spontaneous manner. "Music improvisation, I think, is not our forte at all and a careful preparation in the studio even more so. Some of the songs were created right in the studio, some improvisation was left in there, but in general, the most important thing is - just like with any other Traband recording - a compromise between spontaneity and intention.“ They managed to capture the enthusiasm perfectly this time, the joy of recording is overwhelming, so is the aversion to pigeon-holing of music styles. "We were never concerned with music styles and genres so much, only when
.......
more

Started up and released. Traband's Lovepunk foreshadows a high octane number and a proper use consumption of strings. The recording is called Vlnobeat and fourteen songs by Jarda Svoboda have been changed into cheerful punk, radical love story and lyrical protest songs. Beats move and roam on the foundation of dance and rock rhythms, conveying the feeling of psychedelia of the 60s, through country music and torn punk they go back to the beginnings of the best stuff by Traband. Compared to previous albums there is less of storytelling and the epic songs of last albums are now completely missing. You can get carried away on waves of emotions, joy and sadness, euphoria and disappointment - yet always with determination "not to have the joy taken from us", as the refrain of one of the songs goes. The album Vlnobeat will be released for the 20th anniversary of Traband's existence.

Traband recorded Vlnobeat in their traditional formation (tuba-trumpet-guitar-drums), completed with a five-string banjo player Radim Huml. Although banjo evokes bluegrass and country music style, Traband adjusted this instrument to rock and dance beats, sometimes even resembling the psychedelia of the 60s. The album was recorded in Bubny studio of Michal Ditrich, whose musical past (Hypnotix, Babalet, Abraxas) has affected the band as well. As Jarda Svoboda reveals, the recording was being made in a spontaneous manner. "Music improvisation, I think, is not our forte at all and a careful preparation in the studio even more so. Some of the songs were created right in the studio, some improvisation was left in there, but in general, the most important thing is - just like with any other Traband recording - a compromise between spontaneity and intention.“ They managed to capture the enthusiasm perfectly this time, the joy of recording is overwhelming, so is the aversion to pigeon-holing of music styles. "We were never concerned with music styles and genres so much, only when
.......
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