A central figure in the avant-garde and experimental music scene in New York City for over 30 years, Elliott Sharp has released over eighty-five recordings ranging from orchestral music to blues, jazz, noise, no wave rock, and techno music. His collaborators have included Radio-Sinfonie Frankfurt; pop singer Debbie Harry; Ensemble Modern; Qawwali singer Nusrat Fateh Ali Khan; Kronos String Quartet; Ensemble Resonanz; cello innovator Frances Marie Uitti; blues legends Hubert Sumlin and Pops Staples; pipa virtuoso Min-Xiao Feng; jazz greats Jack deJohnette, Oliver Lake, and Sonny Sharrock; multimedia artists Christian Marclay and Pierre Huyghe; and Bachir Attar, leader of the Master Musicians Of Jajouka. TECTONICS is the name under which Sharp performs his electroacoustic music Harvey Pekar writes:. Sharp's work is pretty accessible. His innovative efforts have concentrated on producing unusual textures and timbres, but he employs familiar devices too: infectious rhythms, steady tempos. His works, for all their newness in some areas, are lucidly constructed, logically paced, and full of interesting dynamic and textural contrasts.

A central figure in the avant-garde and experimental music scene in New York City for over 30 years, Elliott Sharp has released over eighty-five recordings ranging from orchestral music to blues, jazz, noise, no wave rock, and techno music. His collaborators have included Radio-Sinfonie Frankfurt; pop singer Debbie Harry; Ensemble Modern; Qawwali singer Nusrat Fateh Ali Khan; Kronos String Quartet; Ensemble Resonanz; cello innovator Frances Marie Uitti; blues legends Hubert Sumlin and Pops Staples; pipa virtuoso Min-Xiao Feng; jazz greats Jack deJohnette, Oliver Lake, and Sonny Sharrock; multimedia artists Christian Marclay and Pierre Huyghe; and Bachir Attar, leader of the Master Musicians Of Jajouka. TECTONICS is the name under which Sharp performs his electroacoustic music Harvey Pekar writes:. Sharp's work is pretty accessible. His innovative efforts have concentrated on producing unusual textures and timbres, but he employs familiar devices too: infectious rhythms, steady tempos. His works, for all their newness in some areas, are lucidly constructed, logically paced, and full of interesting dynamic and textural contrasts.