https://domakesaythink.bandcamp.com/album/stubborn-persistent-illusions

Credits
PERSONNEL
Ohad Benchetrit
David Mitchell
James Payment
Justin Small
Charles Spearin

GUESTS
Julie Penner (violin)
Mike Barth (trumpet)
Leon Kingstone (baritone sax)
Adam Marvy (trumpet, wholistic management)

“War On Torpor”, “Bound And Boundless”, “Her Eyes On The Horizon” recorded at The Bathouse, Bath, Ontario, engineered by Myles Spencer.

“Horripilation”, “Murder Of Thoughts”, “d=3.57√h”, “Return, Return Again” recorded at Sundlaugin Studio, Reykjavik, Iceland, engineered by Jon “Biggi” Birgisson.

“Schlomo’s Son” recorded at Lost Tin Rooster Studio in Toronto on four government tracking/corporate data-gathering devices.

All glued together, cut up and glued back together, fought over, hugged, cried and laughed over, hotly debated, overdubbed and underdubbed, mixed and pre-mastered by Ohad, Charles and Justin at Th’Schvitz in Toronto, 2014-2016.

Mastered at Lacquer Channel by Phil Demetro.

Original album artwork by Marianne Collins.

Do Make Say Think has been widely celebrated as one of the preeminent instrumental rock bands of the 90s-00s. Stubborn Persistent Illusions is the group’s first album in eight years – and a stellar addition to one of the most consistent, inventive, exuberant, satisfying, and critically acclaimed discographies in the ‘post-rock’ canon.

Following Other Truths (2009), the five members of DMST pursued other creative projects, while all continuing to stay firmly rooted in Toronto. An invite from Heartland Festival and Constellation to play the label’s 15th Anniversary shows in Europe in fall 2012 brought DMST back to the stage in very fine form – the band worked up a bevy of gems from their catalogue and absolutely killed live.

A rekindling was sparked, leading to new writing and recording sessions throughout 2014-2016. Overdubbing, ‘underdubbing’, gestating and mixing was helmed by band members Ohad Benchetrit, Charles Spearin and Justin Small at Ohad’s studio th’Schvitz: Stubborn Persistent Illusions is a reminder and continuation of the group’s DIY ethos, and the integral role played by their singular self-production acumen and aesthetic.

Do Make Say Think has a well-earned reputation for imbuing their instrumental music with soulful and emotive narrative power in a class of its own. Among the band’s special strengths is an ineffable naturalism that avoids anything too woolly or proggy, abstract or academic, while remaining a fundamentally guitar-based group whose ornate four- and six-string interplay balances rockism, pastoralism and electronic-influenced post-production.

Stubborn Persistent Illusions is built from this distinctive toolkit, at once familiar and as fresh as anything DMST has committed to tape. A short Bhuddist poem about boundlessness and recurrence informs this profoundly imagistic listening experience, amplified by .......
more

Do Make Say Think has been widely celebrated as one of the preeminent instrumental rock bands of the 90s-00s. Stubborn Persistent Illusions is the group’s first album in eight years – and a stellar addition to one of the most consistent, inventive, exuberant, satisfying, and critically acclaimed discographies in the ‘post-rock’ canon.

Following Other Truths (2009), the five members of DMST pursued other creative projects, while all continuing to stay firmly rooted in Toronto. An invite from Heartland Festival and Constellation to play the label’s 15th Anniversary shows in Europe in fall 2012 brought DMST back to the stage in very fine form – the band worked up a bevy of gems from their catalogue and absolutely killed live.

A rekindling was sparked, leading to new writing and recording sessions throughout 2014-2016. Overdubbing, ‘underdubbing’, gestating and mixing was helmed by band members Ohad Benchetrit, Charles Spearin and Justin Small at Ohad’s studio th’Schvitz: Stubborn Persistent Illusions is a reminder and continuation of the group’s DIY ethos, and the integral role played by their singular self-production acumen and aesthetic.

Do Make Say Think has a well-earned reputation for imbuing their instrumental music with soulful and emotive narrative power in a class of its own. Among the band’s special strengths is an ineffable naturalism that avoids anything too woolly or proggy, abstract or academic, while remaining a fundamentally guitar-based group whose ornate four- and six-string interplay balances rockism, pastoralism and electronic-influenced post-production.

Stubborn Persistent Illusions is built from this distinctive toolkit, at once familiar and as fresh as anything DMST has committed to tape. A short Bhuddist poem about boundlessness and recurrence informs this profoundly imagistic listening experience, amplified by .......
more