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ACEZANTEZ
Acezantez

avantgarde
Sub Rosa, 2018

aver. mark: -    mark it!

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vinyl:16,59€
Out of stock
availability: about a month ?
cat. no: SRV450
colour : black
download code : no
format : 12"LP
number of discs : 1
packaging : singlefold


no. title play mp3
  side 1
1 KIc VARIJACIJE / KITSCH VARIATIONS 19:22
side 2
2 BAJKA / FABLE 20:50


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Rich textural pieces constructed from an unnotatable, intricate interplay of percussive squeals, scrapes and rattles, parched and pitchless woodwinds, and dislocated keyboards On the evidence here, Acezantez founded by the versatile Croatian composer
and instrumentalist Dubravko Detoni merit wider recognition. Contemporary Croatian Masterpiece !

Originally released in 1977.

Here are supposedly stylistic affinities between early Nurse With Wound and Detoni's music.
This Detoni (born February 22, 1937) release was the first since his LP on the Phillips Prospective series, which in the
'70s was the most credible house for innovative compositional names such as Xenakis and Pierre Henry, who opened the
doors to such avant-garde musical invention. Where atonality is to the fore in much avant-garde music, Deoni's sense of abrasion is met with bouts of melodic intervention. Elsewhere, heavy industrial sounds are used as percussive texture; mixed with forceful electronics and dramatic instrumental passages, they create a complex and textured series of compositions.

Rich textural pieces constructed from an unnotatable, intricate interplay of percussive squeals, scrapes and rattles, parched and pitchless woodwinds, and dislocated keyboards On the evidence here, Acezantez founded by the versatile Croatian composer
and instrumentalist Dubravko Detoni merit wider recognition. Contemporary Croatian Masterpiece !

Originally released in 1977.

Here are supposedly stylistic affinities between early Nurse With Wound and Detoni's music.
This Detoni (born February 22, 1937) release was the first since his LP on the Phillips Prospective series, which in the
'70s was the most credible house for innovative compositional names such as Xenakis and Pierre Henry, who opened the
doors to such avant-garde musical invention. Where atonality is to the fore in much avant-garde music, Deoni's sense of abrasion is met with bouts of melodic intervention. Elsewhere, heavy industrial sounds are used as percussive texture; mixed with forceful electronics and dramatic instrumental passages, they create a complex and textured series of compositions.

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