Dance jazz orchestra Chorchestr made its first album after the five years of its existence. We can call the album “the renaissance of jazz-rock through the fingers and brains of young Czech bigbeaters” without exaggeration. Funky-beat-jazz, how the music band of nine members characterizes itself, introduces itself on the album with their own songs sang in both Czech and English which, in the presentation of Chorchester, will lift even the forsworn non-dancers from their chairs. After some changes in the band, two female singers settled in, Dorotka Barová from the band Tara Fuki and Petra Svozilová from the band Asylakt.

Dance jazz orchestra Chorchestr made its first album after the five years of its existence. We can call the album “the renaissance of jazz-rock through the fingers and brains of young Czech bigbeaters” without exaggeration. Funky-beat-jazz, how the music band of nine members characterizes itself, introduces itself on the album with their own songs sang in both Czech and English which, in the presentation of Chorchester, will lift even the forsworn non-dancers from their chairs. After some changes in the band, two female singers settled in, Dorotka Barová from the band Tara Fuki and Petra Svozilová from the band Asylakt.



Tanečně jazzový orchestr Chorchestr natočil po pěti letech své existence svoje první album, které můžeme bez nadsázky nazvat „renesanci jazzrocku prsty a mozky mladých českých bigbíťáků“. Funky-beat-jazz, jak se charakterizuje devítičlenné hudební sdružení se na albu představuje s vlastními česky i anglicky zpívanými skladbami, které v podání Chorchestru zvednou ze židlí i zapřísáhlé netanečníky. Po změnách v sestavě v kapele zakotvily dvě zpěvačky Dorotka Barová z kapely Tara Fuki a Petra Svozilová z kapely Asylakt. Album se natáčelo v brněnském studiu Audioline, kde kapela podlehla kouzlu nástroje zvaného sampler a po svém ho využila při aranžování svého podařeného debutu.