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Ikarus
Chronosome

jazz/impro
Ronin Rhythm Records, 2019

total time: 45:37

aver. mark: -    mark it!

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CD:14,72€
in stock
cat. no: RON016
EAN: 0610098163039
format : CD
number of discs : 1
packaging : ecopack


no. title play mp3
1 Caliph 05:36
2 Holocene 06:05
3 Ryuujin 04:23
4 Ontake 06:19
5 Nocturne 02:04
6 Obscura 04:02
7 Subzero 03:16
8 Origin 04:26
9 Magellan 06:15
10 Equilibrium 03:08


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https://youtu.be/YXkpAqI1HAw

https://youtu.be/mw2K37cP1WQ

muzycy:
Ramon Oliveras - Drums
Stefanie Suhner - Vocals
Andreas Lareida - Vocals
Lucca Fries - Piano
Mo Meyer - Guitar

Editor's Info:
The hybrid musical organism known as IKARUS returns with a prismatic cipher of a new long-player, entitled Chronosome. The title is a play on two ideas that informed this sophomore meditation on sound: chromosome (organized package of DNA) and Chronos (the personification of time). Ramo´n Oliveras – the drummer, composer and bandleader – was adamant about his voracious appetite for influences from day one, citing Barto^k, Meshuggah, Flying Lotus and Craig Taborn as catalysts for songwriting, all in a single breath. Baring this in mind, this record is an exploration of the idea of evolution, because evolution requires only two things: time and the exposure to strong environmental influences – DNA is only a document of the changes that the form incurs.

DNA is also the code that expresses and preserves the very essence of a life form, and guarantees a deeper formal continuity over time. An IKARUS signature sound and unique approach to music making was already audible on the debut record, Echo. What we have here, are evolved iterations of that original blueprint, i.e. the second generation. The playfulness and the joy of reveling in complex rhythms, challenging time signatures and the general celebration of the abstract, all of that is still here, what's new is that it all sounds so effortless. For example, a music nerd might spot that Ontake is grounded in a 4/4 pulse, while the drums play a 19/8 loop over a 6/8, that the piano goes for a 5/8 and the vocals for 13/8. But the accomplishment here is not only the formal play, but that this song is accessible and enjoyable even without this knowledge, and that the band doesn't sound like they were trying, at all.

Apart from the seasoned technique, the thicker production, the audible synchronicity and agility acquired from playing out live extensively, what truly marks the progression and seals the arrival to a new chapter, is color. This record is full o
.......
more

Editor's Info:
The hybrid musical organism known as IKARUS returns with a prismatic cipher of a new long-player, entitled Chronosome. The title is a play on two ideas that informed this sophomore meditation on sound: chromosome (organized package of DNA) and Chronos (the personification of time). Ramo´n Oliveras – the drummer, composer and bandleader – was adamant about his voracious appetite for influences from day one, citing Barto^k, Meshuggah, Flying Lotus and Craig Taborn as catalysts for songwriting, all in a single breath. Baring this in mind, this record is an exploration of the idea of evolution, because evolution requires only two things: time and the exposure to strong environmental influences – DNA is only a document of the changes that the form incurs.

DNA is also the code that expresses and preserves the very essence of a life form, and guarantees a deeper formal continuity over time. An IKARUS signature sound and unique approach to music making was already audible on the debut record, Echo. What we have here, are evolved iterations of that original blueprint, i.e. the second generation. The playfulness and the joy of reveling in complex rhythms, challenging time signatures and the general celebration of the abstract, all of that is still here, what's new is that it all sounds so effortless. For example, a music nerd might spot that Ontake is grounded in a 4/4 pulse, while the drums play a 19/8 loop over a 6/8, that the piano goes for a 5/8 and the vocals for 13/8. But the accomplishment here is not only the formal play, but that this song is accessible and enjoyable even without this knowledge, and that the band doesn't sound like they were trying, at all.

Apart from the seasoned technique, the thicker production, the audible synchronicity and agility acquired from playing out live extensively, what truly marks the progression and seals the arrival to a new chapter, is color. This record is full o
.......
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