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Carlo Fashion
Das Konservatorium von Bari

avantgarde/ jazz/impro/ classical
Hausmusik,

total time: 74:02

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CD:14,22€
Out of stock
availability: about a month ?
cat. no: HM 72
format : CD
number of discs : 1
packaging : jewel case
vinyl:18,25€
Out of stock
availability: about a month ?
cat. no: HM 72
format : 12"LP
number of discs : 2
 


no. title play mp3
1 Das Konservatorium von Bari # 1
2 Das Konservatorium von Bari # 2
3 Das Konservatorium von Bari # 3
4 Das Konservatorium von Bari # 4
5 Das Konservatorium von Bari # 5
6 Das Konservatorium von Bari # 6
7 Das Konservatorium von Bari # 7
8 Das Konservatorium von Bari # 8
9 Das Konservatorium von Bari # 9
10 Das Konservatorium von Bari #10
11 Beboschka
12 Strömungen für elektrische Akkordeons u Bi.
13 Thema #1
14 Thema #2
15 Thema #2 für piano
16 Thema # 3


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Dyskografia:

LP/CD This is Carlofashion (2001)
LP/CD Pieces for acoustic instruments and synthesizers (2003)
LP/CD I am the crazy Hooverman (2003)
2LP/ CD Kollison (2005)

editor's info:

After Carlo Fashion had recorded the last albums mostly at the home of several different musicians on the basis of prepared sheets with the notes, there was then a concert in april 2005 with the first performance of the Carlo Fashion opus "das Konservatorium von Bari", with members of the ensemble "piano possibile" and a drummer and percussionist. it was recorded live at the "Zerwirk Gewölbe" in Munich by the Bavarian broadcast.

This opus is a fifty-minute declaration of love to the Italian composer Nino Rota, who teached at the academy of music of Bari. He also recieved global acceptance as a composer of movie-soundtracks and as a classic composer.

This opus for strings, woodwinds, brass-instruments and percussions (steeldrum, Yang Quin, vibraphone etc) wants to connect, pop-soundtrack-melodies and rhythms with a classical orchestration. The lust for experiments and for playing of those classical musicians should bring some fresh air into the dusted classical music-scene beyond the subcooled avant-garde.

Carlo Fashion played 8th of April with Mathis Mayr, Stephan Lanius, Philipp Kolb, David Eschmann, Gertrud Schilde, Stephanie Dauer, Heinz Friedl, Zoro Babel, Christian Brachtel, Tobias Weber, Pit Holzapfel, Carl Oesterhelt at the Zerwirk Gewölbe the pieces "Das Konservatorium von Bari" und "Beboschka".

The string-quartet "Beboschka" , maybe could be described as a mixture of schostakowitsch and the American bebop-jazzmusic.

The track "Strömung für elektrische Akkordeons und Blasinstrumente" had it`s world premiere at the Hausmusik-festival 2004, and was reworked in 2006 with Micha Acher, Robert Alonso (trumpet), Ulrich Wangenheim (bass-clarinet), flute) and Marion Dimbath (trombone).

The pieces Thema1 - Thema 3 are compositions for Celli, Piano and percussions and were actually made for a movie-score. At the piano we hear Sachiko Hara.

info dystrybutora:



Album na pograniczu muzyki konkretnej, kameralnej, współczesnej elektroniki i improwizacji, w tradycji Johna Cage'a i formacji Moondog.

Założycielem Carlo fashion jest Carl Oesterheld, członek avant-popwej grupy MS John Soda.

Płyta została nagrana z udziałem min: Micha Acher (Notwist), Uli Wangenheim (Tied & Tickled Trio), Mathis Mayr (studyjny muzyk Notwist, Village of Savoonga..).



After Carlo Fashion had recorded the last albums mostly at the home of several different musicians on the basis of prepared sheets with the notes, there was then a concert in april 2005 with the first performance of the Carlo Fashion opus "das Konservatorium von Bari", with members of the ensemble "piano possibile" and a drummer and percussionist. it was recorded live at the "Zerwirk Gewölbe" in Munich by the Bavarian broadcast.



This opus is a fifty-minute declaration of love to the Italian composer Nino Rota, who teached at the academy of music of Bari. He also recieved global acceptance as a composer of movie-soundtracks and as a classic composer.



This opus for strings, woodwinds, brass-instruments and percussions (steeldrum, Yang Quin, vibraphone etc) wants to connect, pop-soundtrack-melodies and rhythms with a classical orchestration. The lust for experiments and for playing of those classical musicians should bring some fresh air into the dusted classical music-scene beyond the subcooled avant-garde.



Carlo Fashion played 8th of April with Mathis Mayr, Stephan Lanius, Philipp Kolb, David Eschmann, Gertrud Schilde, Stephanie Dauer, Heinz Friedl, Zoro Babel, Christian Brachtel, Tobias Weber, Pit Holzapfel, Carl Oesterhelt at the Zerwirk Gewölbe the pieces "Das Konservatorium von Bari" und "Beboschka".



The string-quartet "Beboschka" , maybe could be described as a mixture of sc
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