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Taylor Ho Bynum
John Hebert
Gerald Cleaver
Book of Three: Continuum (2012)

jazz/impro
Relative Pitch Records, 2013

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CD:16,62€
Out of stock
availability: about a month ?
cat. no: RPR1012
EAN: 0616892124443
format : CD
number of discs : 1
packaging : digipack


no. title play mp3
1 Comin' On (Bobby Bradford) 7:13
2 Aware of Vacuity (Jim Hobbs) 10:13
3 Aware of Vacuity (Jim Hobbs) 6:49
4 Open City (Book of Three) 6:09
5 Jamila (Salim Washington) 7:14
6 Journal Square Complications (Book of Three) 9:24
7 Precoda/Henry (reprise) (Book of Three/Cleaver) 9:46


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muzycy:
Taylor Ho Bynum-cornet
John Hebert-contrabass
Gerald Cleaver-drums

Editor's info:
Collective improvisation from Ho Bynum's Book of Three with bassist John Hebert & drummer Gerald Cleaver, following their RogueArt CD with this exceptional album of original compositions plus works from Bobby Bradford, Salim Washington, and Jim Hobbs.

freejazzblog.org * * * * 1/2
In my review of their first album "Book of Three", released in 2010, I tried to capture the "unbearable lightness" of this trio's music, and their approach is still the same, one of unhurried and gentle sensitive freedom, very welcoming to the ears due to the traditional use of the instruments, ie without extended techniques, yet totally open-minded to themes and collective improvisation.

The trio is Taylor Ho Bynum on cornet, John Hébert on bass and Gerald Cleaver on drums, names who need no further introduction, and the fact that Ho Bynum restricts himself to only one horn on this album, even increases the coherence that was already strong on the previous album.

And it is jazz, very much so, in its sound, its sense of pulse, even if slow at times, in its harmonic dynamics, in its very sound. Three tracks are based on compositions by other artists, Bobby Bradford, Jim Hobbs and Salim Washington.

The first track, Bradford's "Comin' On", still has this boppish feel to it, but then in a very stretched out way, full of bluesy sensitivities, with the three musicians keeping the main theme as the anchor point, but then straying away from it - rhythmically, melodically - without losing sight of what they're playing, and as on the first album, the overall sound is truly a trio effort. The cornet may have the clearest voice, but the actual sound and evolution of the track is a real group thing.

The second track "Aware of Vacuity" comes from the "Marriage Of Heaven And Earth" album by the Fully Celebrated Orchestra, one of the many successful bands to which the cornettist contributed, bringing a s
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