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Cecil Taylor
Respiration: Live in Warsaw '68

jazz/impro
Fundacja Słuchaj!, 2022

total time: 42:53

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CD:10,92€
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cat. no: FSR10/2022
EAN: 5904441617115
format : CD
number of discs : 1
packaging : ecopack


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Cecil Taylor – piano
Recorded 18.10.1968 at Jazz Jamboree, Warsaw Philharmonic, Poland by Polskie Radio
Mastered 30.04.2021 by Grzegorz Piwkowski (Hi-End Audio, Warsaw)
Liner Notes: Stuart Broomer

Nagrano 18.10.1968 na Jazz Jamboree Filharmonii Narodowej przez Polskie Radio. Płytę ukazała się nakładem wydawnictwa Fundacji Słuchaj!

Cecil Taylor Warsaw 1968: Street Maps and Barricades
… a velocity, a complexity and an elegance borne of great pressure, light and focus, early childhood travelling in time to Duke's "Daybreak Express", then the light rapid transit of Teddy Wilson or Tatum, in teens introduced to Charlie Parker and Bartok’s cadenzas, perhaps the flocking notes of Messiaen too …
… the ecstasy of the moment of revolt: however long the deliberations, however difficult the ensuing struggle, the moment of revolt is ecstatic, and in the great revolutionary art, that moment is sustained beyond expectation, beyond all reason, time transformed into bliss; in his solo music, a rite both sacred and anarchic, Cecil Taylor found not just that moment but made it an intervention, an act of complete attention, rhythms massing within time itself (and themselves), yet finding that ground in an ecstatic period of time outside of time--eternity a unit of time bounded by no time...clocks inside time, clocks outside time, and alarm clocks, too…that moment of revolt stretched to time itself…
… evolving in an American insistence on growing freedom … from Detroit 1943 to the white riots of 1954, the burning cities of 1967 … then resonating globally … 1968, Poland, Czechoslovakia, France, America … a calendar of cities, Warsaw March, Prague Spring, Paris May, Chicago August, smoke bombs, napalm, machine gun fire, troops everywhere assaulting ceremonies of freedom ... concentration camps in parks and streets, a global stretch … all making perfect sense of the European solo concerts … no spaces between notes, the former note the articulation of the present note the articulation of the next … a new rate of attentiveness to time and events simultaneous …
.......
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