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Per Zanussi
Li (and the infinite game) [& Vestnorsk Jazzensemble]

jazz/impro
Clean Feed, 2022

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CD:18,28€
in stock
cat. no: CF608CD
EAN: 5609063006087
format : CD
number of discs : 1
packaging : ecopack


no. title play mp3
1 The Dunes
2 Uragano
3 Uragano (Eleven.
4 Spots and Ripples
5 Golden Spike
6 Ground Swell
7 Retabling/Baltering
8 Noon Moon
9 Murmuration


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https://youtube.com/playlist?list=OLAK5uy_kqxPR0TKhzZ8SrQR12Yoom1tnBuIslAg4

muzycy:
Gro Austgulen violin
Didrik Ingvaldsen trumpet
Simen Kiil Halvorsen trumpet
Elisabeth Lid Trøen saxes
Heidi Kvelvane saxes
Kjetil Møster saxes and clarinets
Kristoffer Alberts saxes
Jørgen Træen modular synth
Thomas T. Dahl guitar
Børge Fjordheim drums
Øyvind Skarbø drums
Per Zanussi double bass

Editor's Info:
"Li" is a neo-Confucian term for patterns in nature. Fixed and dynamic patterns, patterns in time and space. Simultaneously cyclic, asymmetric and organised. Clouds, trees and dunes. Flow and chaos. These concepts have inspired composers and artists for centuries, including Per Zanussi, who also considers it a useful metaphor when composing for improvising musicians. Zanussi is himself part of this category of musicians, and he has played with many of the biggest names both nationally and internationally. Organizing improvisation is also the subject of his artistic PhD project from 2017, titled "Natural Patterns – Music Making for an Ensemble of Improvisers". Per Zanussi is known for his Zanussi 5 and 13 constellations, and is also currently currently working with Trespass Trio, Party+1 and Eyolf Dale Trio, among others. He is an Associate Professor at the Norwegian Academy of Music and the University of Stavanger, Norway, and one of the country’s leading composers of jazz and contemporary music. Zanussi has previously written music for Trondheim Jazz Orchestra and BIT20, as well as more than 20 theatre and contemporary dance performances. Li (and the Infinite Game. Consists of 10 different sections, inspired by lots of different music, often at the same time, resulting in music from futuristic funk and prog-afrobeat to Korean shaman ballads and North African free jazz, reflecting the wide range of Zanussi’s practice. The inspiration behind the second part of the title comes from James P Carse's book "Finite and Infinite Games": "Finite games are those instrumental activities - from sports to politics to wars - in which the participants obey rules, recognize boundaries and announce winners and losers. The infinite game - there is only one - includes any authentic interaction, from touching to culture, that changes rules, plays with boundaries and exists solely for the purpose of continuing the game." "The Infinite Game" refers
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