Lars Danielsson / double bass, cello
John Parricelli / guitars
Magnus Öström / drums & percussion
Grégory Privat / piano
Gothenburg Symphony Orchestra conducted by Peter Nordahl
Carolina Grinne / english horn, oboe
Guests:
Arve Henriksen / trumpet (on Nikita‘s Dream and Yes to You)
Paolo Fresu / trumpet (on Africa and Scherzo)
Swedish bassist/cellist Lars Danielsson is a master improviser, who completely engages listeners by taking them on journeys of both pleasure and wonder, with themes which are always expressive and song-like. He is far too classy and refined a musician to indulge in superficial virtuosic display. Danielsson's well-honed, naturally lyrical improvisational lines remain at the service of the flow of the music, something particularly noticeable when he steps forward and takes on the role of soloist. These core traits are also there in his extensive and much-praised work as arranger, composer and bandleader. With the group he leads, "Liberetto", he has not only found a catchy name for the ideal band to realise his intentions, but also a formula for his approach: the word he has constructed contains "libretto", a pointer towards the composed, quasi-classical nature of his writing, and also a link to opera and lyricism, whereas the Latin word "liber" refers to the freedom of improvisation, a core principle in jazz. And his unique talent is being increasingly recognized: the most recent Liberetto album from 2021, as Downbeat’s Brian Morton noted, “confirms Danielsson’s stature as a leader/composer”.
Classical music and jazz are the two determining poles of Danielsson's musical career. He says – with a smile – that "the question whether I am a jazz musician would be answered with a ‘yes’ from the musicians in the orchestra...but if I were to ask Wynton Marsalis, it would probably be a ‘no’". Danielsson feels comfortable in the space between classical music and jazz. His first music teacher was a church organist, and the folklore of his native Sweden has also been ever-present in his musical identity. As a young cellist, he played a lot in orchestras. His familiarity with Bach and sacred hymns soon broadened into a love of rock 'n' roll, but that faded away in the mid-seventies with the ....... more
Szwed Lars Danielsson to nie tylko jeden z najwybitniejszych europejskich kontrabasistów, ale także wybitny kompozytor, któremu zawsze udaje się nadać swojej złożonej, wyrafinowanej muzyce lekki i organiczny charakter. A jako basista i wiolonczelista równie dobrze czuje się w muzyce jazzowej, jak i klasycznej. Na dwupłytowym albumie „Symphonized” łączy wszystkie te elementy – razem ze swoim doskonale zestrojonym zespołem „Liberetto”, Gothenburg Symphony Orchestra i gośćmi.
Swedish bassist/cellist Lars Danielsson is a master improviser, who completely engages listeners by taking them on journeys of both pleasure and wonder, with themes which are always expressive and song-like. He is far too classy and refined a musician to indulge in superficial virtuosic display. Danielsson's well-honed, naturally lyrical improvisational lines remain at the service of the flow of the music, something particularly noticeable when he steps forward and takes on the role of soloist. These core traits are also there in his extensive and much-praised work as arranger, composer and bandleader. With the group he leads, "Liberetto", he has not only found a catchy name for the ideal band to realise his intentions, but also a formula for his approach: the word he has constructed contains "libretto", a pointer towards the composed, quasi-classical nature of his writing, and also a link to opera and lyricism, whereas the Latin word "liber" refers to the freedom of improvisation, a core principle in jazz. And his unique talent is being increasingly recognized: the most recent Liberetto album from 2021, as Downbeat’s Brian Morton noted, “confirms Danielsson’s stature as a leader/composer”.
Classical music and jazz are the two determining poles of Danielsson's musical career. He says – with a smile – that "the question whether I am a jazz musician would be answered with a ‘....... more