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SHIRLEY HORN
All Night Long

jazz/impro
Steeplechase, 1991

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CD:20,18€
Out of stock
availability: about a month ?
cat. no: SCCD31157
EAN: 0716043115723
format : CD
number of discs : 1
packaging : jewel case


no. title play mp3
1 You'd Be So Nice to Come Home To (Cole Porter) 03:56
2 Someone Like That in Your Life (Buck Hill) 04:47
3 How Insensitive (Antônio Carlos Jobim) 08:05
4 Good-for-Nothin' Joe (Rube Bloom / Ted Koehler) 05:38
5 Git Rid of Monday (Johnny Burke / James Van Heusen) 03:39
6 All Night Long (Shirley Horn / Curtis Lewis) 08:00
7 If I Had You (Jimmy Campbell / Kevin Connelley / Reginald Connelly / Ted Shapiro) 04:52
8 Meditation/Meditação (Norman Gimbel / Antônio Carlos Jobim / Newton Mendonça) 04:33
9 When Your Lover Has Gone (Einar A. Swan) 03:11
10 If Dreams Come True (Benny Goodman / Irving Mills / Edgar Sampson) 02:54


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https://youtube.com/playlist?list=OLAK5uy_n4tgXuOKO3P1F8ST3eGRBzdt3JJU26ans

muzycy:
Shirley Horn: Piano, Vocals
Charles Ables: Bass
Billy Hart: Drums

Shirley Horn chose to leave her jazz career during a good part of the '60s and '70s to raise her family, returning to record an album for Steeplechase in 1978. But 1981 marked a significant increase in her output, recording over several days at the Northsea Jazz Festival and producing two CDs from these performances, some of which are heard on All Night Long. Backed by electric bassist Charles Ables (who would remain with her until his death in 2001) and drummer Billy Hart, Horn captivates her audience with her intimate piano playing and understated yet infectious vocals. She works slowly into sparse arrangements of "Someone Like That in Your Life" and "Good for Nothing Joe," hushing the crowd. She makes the most of the bluesy, whimsical "Git Rid of Monday," an overlooked gem by Jimmy Van Heusen and Johnny Burke. Of course, there are plenty of delightful performances of standards like "If I Had You" and "You'd Be So Nice to Come Home To," in addition to thoughtful interpretations of a pair of bossa novas by Antonio Carlos Jobim.
by Ken Dryden

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