https://youtube.com/playlist?list=OLAK5uy_m9Zcx75fW4TYHZXhnLJJCoD-Wn41QWYe8

muzycy:
Miya Masaoka: koto, electronics
Reggie Workman: bass, percussion
Gerry Hemingway: drums, electronics

Editor's Info:
This double recording offers two different experiences of the collective trio Brew with Miya Masaoka, Gerry Hemingway and Reggie Workman. These are two separate recording sessions, twenty years apart from each other, “Heat" from 1999, and "Between Reflections" from 2019. For listeners familiar with the music that Hemingway, Masaoka, and Workman have each recorded with other ensembles (BassDrumBone, MZM, or Trio 3, for instance), the interplay of Brew is unexpected and engrossing. At its core, Brew might be called an enterprise in the dynamics of mutual attunement: an astounding demonstration of sustained sensitivity to what percolates at the outer reaches of auditory perception as improvising musicians interact in real time. Moment by moment, their exchange constructs what Hemingway calls a “sanctuary” of sound, a “chance to be lured into a freedom in which our regulated lives are suspended” in a way that leaves us with a keener capacity for perception.
The trio dramatizes the subtle but stark differences between Masaoka’s koto and Workman’s bass, a matter not only of tuning but also of material (whether nickel-plated steel, nylon, or silk) and techniques of bowing and plucking (whether directly with the fingers or with tsume fingerpicks). The koto is a particularly labile instrument—it is capable of conveying the plaintive vulnerability of the human voice one moment and the sharp wail of an electric guitar the next, or even the wooden thud of a bamboo gamelan jegog—and its mutability somehow brings out and emphasizes the tonal breadth of the bass and drum set, too, in a way that might not come across as forcefully in a trio fronted by a horn or piano.
All three musicians deploy multiple instruments. Workman plays musical saw and percussion in addition to the bass, and in the 2019 session Masaoka switches to the Vietnamese monochord or dan bau (hooked up to a guitar amp) on a n.......
more