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Louis Smith
Prancin'

jazz/impro
Steeplechase, 2000

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CD:19,68€
Out of stock
availability: about a month ?
cat. no: SCCD31121
EAN: 0716043112128
format : CD
number of discs : 1
packaging : jewel case


no. title play mp3
1 One For Nils 6:24
2 Chanson De Louise 7:13
3 Ryan's Groove 6:02
4 Prancin' 5:37
5 I Can't Get Started (Ira Gershwin) 9:19
6 Fats 5:59
7 Chanson De Louise (previously unissued) 9:22


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https://youtu.be/ky4S5mHdijI?si=o4KTdD3HC6F3Rnkl
https://youtu.be/6z4HHtxHxME?si=9uwgQIyu1HvnvBDV

muzycy:
Louis Smith: Trumpet, Flugelhorn
Roland Hanna: Piano
Junior Cook: Tenor Saxophone
Billy Hart: Drums
Sam Jones: Bass

Editor's Info:
Louis Smith - one of the well known Blue Note Records musicians. Louis was a talented, but underrecorded, straight-ahead bop trumpeter who led two dates in the ’50s before retiring to teach at the University of Michigan and the nearby Ann Arbor Public School system. For most of his career, he remained a teacher, making a brief comeback in the late ’70s before returning to education. It wasn’t until the mid-’90s that he began a recording career in earnest, turning out a series of albums for the Steeplechase label. A native of Memphis, TN, Louis Smith began playing trumpet as a teenager. He graduated high school with a scholarship to Tennessee State University, where he studied music and became a member of the Tennessee State Collegians. Following his college graduation, Smith did a little graduate work at Tennessee before transferring to the University of Michigan, where he studied with professor Clifford Lillya. At Michigan, he had opportunities to play with traveling musicians, including Miles Davis and Dizzy Gillespie. In January 1954, Smith was drafted into the Army, spending a little over a year-and-a-half in his tour of duty. Once he left the Army in late 1955, he began teaching at the Booker T. Washington High School in Atlanta, GA. While teaching at Booker T. Washington, Smith continued playing bop and hard bop in clubs, and was able to jam with Cannonball Adderley, Kenny Dorham, Donald Byrd, Lou Donaldson, Zoot Sims, and Philly Joe Jones, among many others. In 1956, he made his recording debut as a sideman on Kenny Burrell’s Swingin’. A year later, he had the opportunity to lead his own recording session for Tom Wilson’s Boston-based label, Transition. He assembled a quintet featuring Cannonball Adderley (who performed under the pseudonym Buckshot La Funke), bassist Doug Watkins, drummer Art Taylor, and pianists Duke Jordan and Tommy Flanagan, who alternated on the date. Transition went out of b
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