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Garth Erasmus
Threnody for the KhoiSan

electronic/ avantgarde
Tal Music, 2024

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vinyl:33,23€
Out of stock
availability: up to a month ?
cat. no: TAL31
EAN: 880918265636
download code : yes
format : 12"LP
number of discs : 1
packaging : singlefold


no. title play mp3
1 Gwaing Reverie
2 Lucelle: Sista Of The Soil
3 Mantis Praise
4 Amaseh Amen
5 For Peter & Ruth
6 Terug Blik
7 Threnody For The Khoisan
8 Ambient Khoi
9 Mcinci Song I
10 Morenga
11 Evidence Of Things Unseen
12 Lockdown Duet: Milano-Cape Town
13 Roesdorp Requiem
14 The Ascension Of Milford Graves


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https://youtube.com/playlist?list=OLAK5uy_kabmeTcqzAtrqFP4a_NsnF0xuSfpiqfQw

Garth Erasmus is an artist and musician based in Cape Town, South Africa. 'Threnody for the KhoiSan' is his first album under his own name. Since 1985 his artistic interests have broadened to include music-making, designing and making his own instruments based on indigenous KhoiSan knowledge. From 1999 to 2012 he was a member of the South African First Nation activist group Khoi Khonnexion. In the past couple of years Garth Erasmus has also been a pivotal part of various international performance pieces and exhibition projects which brought him regularly to Europe. Most of these activities were developed and performed in collaboration with the Hamburg based band Kante and his band Khoi Khonnexion. In April 2024 Garth Erasmus will be part of the group exhibtion 'Oscillations' at Akademie der Künste, Berlin.

His works in music are predominantly characterized by a restless quest for alternative forms of expression and materials including self build instruments, field recordings or various electronic music devices.

In this context the music on 'Threnody for the KhoiSan' takes on a primal and metaphorical meaning. Rather than a formal, physical initiation, this process is more spiritually inclined, yet it is a spirituality which is consistently put into action.. “Ever since I was an art student I have experimented with alternative materials to release me from the Western education values I received. When I started to make these instruments in the 1980s, my intention was to create art objects but when I discovered the sound they made, it unlocked a door that transported me deeper in my quest in the realization that I was on the right path.

In fact all instruments which appear on 'Threnody for the KhoiSan' are products of a process of discovery starting from square one. All this is based and founded on the beauty of simplicity and minimalism as symbolized by the single string Khoisan musical bow and arrow as trance musical
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