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Olga Anna Markowska
ISKRA

ambient/ electronic/ classical
Miasmah, 2025

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vinyl:33,23€
Out of stock
availability: about a month ?
cat. no: MIALP060
EAN: 880918267548
colour : red
format : 12"LP
number of discs : 1
packaging : singlefold


no. title play mp3
  Strona A
1 Dawn
2 Blue Spring
3 Train Ride Home
4 Borderland
5 Unfolding
Strona B
1 Fever Dream
2 A Heart Is An Eye
3 Helix
4 Mizpah
5 Dusk


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https://youtube.com/playlist?list=OLAK5uy_lsXCWz9NlKuUvp-68TDHfLZ0F48Ki6t5w

ISKRA is the debut album by Polish multi-instrumentalist and composer Olga Anna Markowska. Starting at “Dawn” and ending at “Dusk”, it is a journey of melancholic depth and true beauty filled with warm memories from what was & what could be.

Using zither, cello, electronics and occasional wordless voice, Olga weaves together something so affecting and under the skin beautiful that it is hard to shake, bringing to mind classics from artists like Jacaszek and William Basinski, or the films of Kieslowski. However, there’s a personal touch in her playing and compositions that stands out. Olga explains: “the cello pieces, in particular, were born from a desire to reconnect with the instrument I’ve known intimately since childhood. However, I had to step away from it for two years to gain perspective and find a fresh approach when I returned.” She continues : “ISKRA is an album about "ignition" — a gradual shift in how I think about music and a search for new values. It also marks the closing of a chapter, blending archival recordings with the dawn of new ideas.”

The album feels deeply personal from the first note, and bridges the difficult point between classical and ambient music in a truly natural way, leaving any typical tropes far off, instead demanding your full attention. Olga uses plenty of loops throughout, which together with the cello and zither builds a transcendent atmosphere. Standouts contain amongst others the stunning “Train Ride Home” - a 7 minute piece with zither as main focal point; “Fever Dream” - a plunge into warm static noise and deep plucks, as well as the beautiful “Helix”, which sounds like a washed out dream with its minimal tape loops and ambient vocal washes. Overall the album connects very well with Olga’s subjects of identity, memory of the places and human relations with nature. There is a deep humanity
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