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New Origin (Rochers / Fonda / Sorgen)
Poet's Walk

jazz/impro
Fundacja Słuchaj!, 2025

total time: 50:09

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CD:10,92€
in stock
cat. no: 06/2025
EAN: 5904441617863
format : CD
number of discs : 1
packaging : ecopack


no. title play mp3
1 Vers le soir 15:22
2 Abandonne toi 04:43
3 à ton double destin 08:02
4 Habiter le coeur du paysage 10:15
5 Et faire signe 05:01
6 Aux filantes étoiles 06:31


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https://sluchaj.bandcamp.com/album/the-poets-walk

Christophe Rocher - Clarinets
Joe Fonda - Bass
Harvey Sorgen - Drums

Recorded Nov 14, 2023 by Jay Anderson at Mountain Rest Studio's. New Paltz, NY.
Mixed May 24, 2024 by Kenan Trevien at 6.35 Studio- Brest, France

Friendship as a principle
A superb case, like a quiver. Inside, magnificent clarinets. That's all it took for Joe Fonda, passing through Brest, in France, to invite their owner to play with him on his next visit to the US. After all, anyone who owns these beautiful instruments 'can really play'. And that's how New Origin began.
From the very first bars of Vers le soir, the double bass leaps onto the springboard, cast by an urgent call from the drumsticks. Urgency, energy, decisiveness—it all comes from far away, from almost forty years of making music together and, shared by Joe Fonda and Harvey Sorgen, continues in a wide range of contexts. In his brief introductory solo, Joe Fonda establishes this equation of rhythm and melody in a register all of his own: firm, discursive, eloquent and always stretching forward. And what follows is the song. Christophe Rocher's bass clarinet is a blossoming of everything that was already present in the opening bars; their thrust becomes voluble and their rigorous construction a scaffold for what now bursts forth—timbres, colours, registers: joy.
The music is reformulated several times—a swinging march drawn from the crackle of a snare drum; a brassy passage like a sunset; a rising of gongs; a tender confession, abandoned and trusting—as if, always, in these often nested pieces, one obvious truth conceals another, with no time limit, and without the need to be concerned about it.
As in the poem by François Cheng, whose verses are reflected in the program, it's as though we have a 'double destiny': an unwavering presence in the here and now and a longing for a distant elsewhere. These are two sides of the same condition: our own and, particularly, that of the improvisers. This quality of 'inhabiting the heart of the landscape' is what gives strength to this music, as fully and deeply rooted in the moment as it is stretched toward what is to come, 'beckoning to the shooting stars',
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