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Majid Bekkas
Jazz at Berlin Philharmonic XVII: Gnawa World Blues

blues/ jazz/impro
Act, 2025

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CD:16,62€
Out of stock
availability: 2 weeks ?
cat. no: ACT80072
EAN: 614427800725
format : CD
number of discs : 1
vinyl:29,67€
Out of stock
availability: 2 weeks ?
cat. no: ACTLP80071
EAN: 614427800718
format : 12"LP
number of discs : 1
 


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https://youtube.com/playlist?list=OLAK5uy_kuB-cYdL2Qcl8rNvP09ZydcHC1dO7xw4s

Majid Bekkas guembri, oud & vocals
Nguyên Lê guitar & backing vocals
Hamid Drake drums

Three continents, three musical world citizens. Morocco-born Majid Bekkas, Franco-Vietnamese Nguyên Lê and American Hamid Drake have combined their astonishing musicality, their origins and their global experiences to create a captivating live concert programme encompassing desert blues, Gnawa trance, Middle Eastern jazz, sixties rock and Far Eastern serenity.

Voice, oud and guembri (bass lute)...electric guitar with a wide spectrum of shimmering timbres...a percussion arsenal between subtlety and physicality – these are the tools deployed here by three remarkable, world-class, globe-trotting protagonists... Majid Bekkas's innovations have cast a wholly new light onto the fascinating music and culture of the Gnawa minority in Morocco, and he has also worked with jazz greats such as Joachim Kühn, Archie Shepp and Pharoah Sanders, and, most recently, with the Magic Spirit Quartet, whose recordings for ACT have built a bridge between Nordic and African sound worlds. Among the very great guitarists of our time, Nguyên Lê stands out as one of the most exciting and individual personalities, having developed a unique style in which Southeast Asian melodies, complex jazz harmonies and highly virtuoso excursions into rock naturally co-exist. Chicago-born Hamid Drake, with his intuitive feel for many of the world’s percussion traditions and his background of varied collaborations from Don Cherry over Peter Brötzmann to Melba Moore, provides an improbably wide range of rhythmic impulses.

The repertoire which the three performed so memorably on 10 November 2024 reflects a tremendous wealth of ideas which fuse and coalesce. The opening track ‘Gore Blues has a reflective blues melody played in unison by oud and voice over a strumming guitar... then we hear an animated, five-note ‘trialogue’ between lute, electric guitar and delicate cymbal work. Then, with ‘Mrahba’, the trio enters the rea
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