https://youtube.com/playlist?list=OLAK5uy_lIAyUSFxrASaC8YP_E-8EnOsJXjHYxd98&si=hG3U4zzCUsoDENAM

A heavy rock concept album featuring the dark tale of future street dweller Suzie Pellet. A feisty survivor in a ruined world.

Suzie is the brainchild of Ian Miller, fantasy/horror artist and novelist.
Not unlike Michael Moorcock guiding Hawkwind, Transmaniacon bring Miller's vision to sonic life, alongside the outstanding vocal deliveries of punk poetess and avant rocker Lydia Lunch (a hind-sighted Suzie) and Maya Berlin (a future 'present-day' Suzie).

Sci-fi and space rock, hard and heavy riffing guitars, overdriven Hammond Organ and synth are all in there. The twin heavyweights of Blue Oyster Cult and Mountain loom large, but this time with the added groove of an an organ-driven Frumpy or Black Mountain.

Transmaniacon have taken and expanded Miller's vision into a story in which Pellet herself, describes the dark, underworld, its characters and situations, friends and foes, all in grisly-spoken and sung diary-like, excerpts.
Lydia Lunch’s world weary rasping syllables bring a frightening authenticity and drama to the older Suzie's memories and give an almost cinematic intensity to the imagery.
The young Suzie is sung by Maya Berlin, vocalist with Cold in Berlin. Delivering equal parts Punk, Doom and Goth, Suzie gives her the opportunity to expand her vocal (and theatrical) talents in Grace Slick or Julie Driscoll or even Chelsea Wolfe directions.

Ian Miller has once again provided his macabre vision for the sleeve art. But here his style has mutated into a vivid and creepy marriage of photo montage and the inky etched characters for for which he is known.
A new vision of Suzie, perhaps a Hogarth or Durer painting for the 21st century.
Step into the nightmare world of Suzie Pellet.