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Crime & The City Solution
Shine

rock/ wave/dark/gotyk
Mute, 1988

Czas trwania: 49:44

Średnia ocena klientów: -    oceń

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CD : 54,90 zł
W magazynie: na stanie
Nr kat.: CDSTUMM59
EAN: 5016025600595
format : CD
liczba nośników : 1
Opakowanie : plastik
winyl : 97,90 zł
W magazynie: na stanie
Nr kat.: LSTUMM59
EAN: 5400863085759
download code : tak
format : 12"LP
kolor : złoty
liczba nośników : 1
opakowanie : singlefold
 


nr tytuł play mp3
1 All Must Be Love 5:19
2 Fray So Slow 4:55
3 Angel 6:02
4 One Every Train (Grain Will Bear Grain) 5:25
5 Hunter 4:48
6 Steal To The Sea 10:16
7 Home Is Far From Here 3:23
bonus (CD only):
8 On Every Train (Grain Will Bear Grain) 12" Version 4:07
9 All Must Be Love (Early Version) 5:26


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https://youtube.com/playlist?list=OLAK5uy_lzlTF8Xd-w3cH53ahiWswqY2CyU7iBgYo

vinyl edition (2023): Crime & the City Solution’s second studio album Shine reissued on gold vinyl (limited to 1000 worldwide). This is set to be released alongside The Bride Ship and Paradise Discotheque on 27th January, 2023.



A band out of time, Crime and the City Solution were perennial outsiders who could not rest in their native Australia, and instead found inspiration in the colder climates of London and Berlin. Their mesmeric, expressive music evolved through many incarnations and a great deal of adversity. The first incarnation of the band appeared in 1977/78, in the midst of Australia’s nascent punk scene and re-grouped in London in 1984 with Simon Bonney being joined by former Birthday Party stalwarts Mick Harvey and Rowland S.Howard, Rowland’s bassist brother Harry and one time Swell Maps drummer Epic Soundtracks.

With the departure of Soundtracks and the Howard brothers for the formation of These Immortal Souls, Bonney, Harvey and Adams settled in Berlin. Here they called upon Thomas Stern, Bronwyn Adams, DAF’s Chrislo Haas and Einstürzende Neubauten’s guitarist Alexander Hacke to create Shine. The album was recorded at Hansa Tonstudio in the second half of 1987 and later released in 1988. Shine was more finely tuned, optimistic and delicately abrasive, with the reconstructed line-up admirably marrying Hacke’s post-punk-into-blues guitar with Adam's feathered violin and Bonney’s gruff vocals.

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