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Tsehaytu Beraki
Selam

folk/etno
Terp, 2004

Czas trwania: 76:10; 78:30

Średnia ocena klientów: -    oceń

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CD : 59,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: AS 07/08
format : CD
liczba nośników : 2
Opakowanie : plastik


nr tytuł play mp3
  CD1
1 Atzmtom keskisom
2 Iley li habelmalet
3 Abashawel
4 Hallu
5 Harestai
6 Sport malet
7 Asmara
8 Freweini
9 Askarbay gomma
CD2
1 Bisenselet feqri
2 Mejemeria feqri
3 Simsim
4 Ilkanere beantebo
5 Lale bola
6 Kabacha meflayey
7 Ade
8 Selam


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Free mp3:
Mejemeria feqri
Lale bola


New and old songs, recorded in different sessions between February 2000 and November 2003 by Dolf Planteydt in the Koeienverhuur, Purmerend.

All music and lyrics by Tsehaytu Beraki.
Mixed by Andy Moor.
Produced by Terrie Ex.
Mastered by Colin McLean.

Guests:
Han Bennink, Michael Vatcher, Katherina Ex, Rozemarie Heggen, Kulubrhan Gebremedhin, Amleset Russom, Mikael Tekle, Selamawit Yemane.

Tsehaytu Beraki is an absolutely legendary singer from Eritrea. Born in 1939 in Quatit, a small village, she soon picked up the krar (5-string harp) and after moving to the capital Asmara she became a famous singer in bars, to attract men to the local traditional beer houses. In the 1970-ies she was discovered by producer Tewelde Redda, who took her to Addis Abeba, to record for Philips some 7” singles. She also appeared on television all over Ethiopia and Eritrea. She was a very big star. But the political situation got more and more intense.

Eritrea was fighting for independence, and Tsehaytu got involved in the struggle. Her songs moved from love songs to more political statements and comments. She was actually playing and singing at the front, for eight years. Heavy days. One time her concert was bombed, seven people died and Tsehaytu was badly injured. After her faction, the ELF, was pushed into the Sudan by the rivaling EPLF, she didn’t give up and went back to the villages, to sing and support the women and children.

Her courage and inspiration still mean a lot to all Eritreans. When the situation became too bad, she too had to flee into Sudan and in 1988 she ended up in Rotterdam, Holland. I found her in Rotterdam, discouraged and not playing much anymore. I build her a new krar and we decided to record the CD. There isn’t really much Eritrean music recorded, especially from those days. The songs are as authentic as possible, Tsehaytu playing all the instruments. It’s largely unknown music.

These strange, beautiful rhythms and these moving, almost blues-like ballads. The 17 songs are from different periods of Tshehaytu’s life. From the very first successes till brand new material, commenting on the latest developments in Eritrea. With many people involved, we worked for four years on the project.

The double CD, with more than two and a half hours of music, also includes
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