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Ida Kelarova
Skampa Quartet
Romska balada

folk/etno
Indies, 2010

Czas trwania: 57:29

Średnia ocena klientów: -    oceń

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CD : 57,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: MAM474-2
format : CD
liczba nośników : 1


nr tytuł play mp3
1 Mamo 05:15
2 Merav 03:34
3 Amare čhavore 06:24
4 Devloro miro 02:28
5 Bijav 05:10
6 Šun Devloro 06:26
7 O phral 04:29
8 Mri čhaj 06:29
9 Bares tut kamav 03:49
10 Mamo miri 04:22
11 Kamiben miro 02:45
12 Soske 03:27
13 Mamo II. 02:46
  free mp3: Merav


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Ida Kelarová and Desiderius Dužda are tandem which has proved its high quality with many recordings, last time on their jazz album called Aven Bachtale. With the new recording Roma Ballad they return to the musical sphere which has already been mapped on Staré slzy/Old Tears album. This time, however, they have recruited new musicians out of which a young and promising author stands out (he wrote three songs on the record) and the pianist Tomáš Kačo and the famous Škampa’s Quartet.

However strange the connection of Ida Kelarová, Desiderius Dužda, Tomáš Kačo a Škampa's Quartet sounds, it’s necessary to say that Roma Ballads prove that the musicians from different sides of music scene are often able to find a common vision and each one of them and yet all together create a piece which is hardly classifiable into any musical pigeon-hole. “At the moment we decided what should be the concept of the album I knew it would be Škampa’s Quartet“, Ida Kelarová says about the way they cooperated on the record. “I got a contact, I addressed them, they all were also interested in the project and our successful cooperation began basically at our first meeting. We just sat down, we put all our energy into it and it worked.”


The album Roma Ballad contains a total of 13 songs – gypsy ballads. All the songs are interpreted in the Romany language; the cover also contains translations of their meanings. That is the only way the songs can be understood fully, even though just listening is enough to clearly understand the emotion that the ballads bring. Gypsies do not use sheet of music for their songs because the characteristic free rhythmic use of semitones and quartertones are almost impossible to write down in sheet music. A gypsy song is based on the expressive performance which is, without listening to the singer, almost impossible to interpret by writing. Helena Jiříkovská from Škampa’s
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