https://youtube.com/playlist?list=OLAK5uy_mb2MA1KeOQSSzCnjRH_g2x18HOSUq6TB8

Kolejna bluesowa wycieczka do Afryki, której efektem są dwie wiadomości - dobra i zła. Dobra to taka, że weteran gitary i songwritingu, Chris Eckman wybrał się do Afryki po kolejny skarb - aktywnego i bardzo twórczego bluesmana (nie jest to pierwszy album Traore). A zła dotyczy przedwczesnej śmierci Malijczyka w czerwcu tego roku, tuż przed wydaniem przez Glitterhouse jego solowej płyty.

Lobi Traoré (1961-2010) was a true African original, a guitarist of profound depth and originality, a singer and songwriter with universal appeal, and a performer who became part of the very fabric of Bamako, one of the world’s most musical cities. Not long before he died—suddenly and unexpectedly in June, 2010—Lobi recorded an unprecedented solo CD—just him and his guitar, in a single session with no overdubs. Rainy Season Blues turns out to be Lobi’s final statement, and we are lucky to have it, for it captures the pure essence of his artistry in full flower.

Lobi was born Ibrahima Traore, in Bakaridjana in the Segou region of Mali, the center of the 19th century Bambara Empire. Lobi recalled, “A Muslim teacher came to my village to see my father, who was a great marabou. He came for his business, but he had an acoustic guitar, and I became very interested in it.” It would be a few years before Lobi got his hands on an axe, but the seed had been planted. Lobi’s first gig was playing maracas in a neighborhood band. “Right from the first time they said it was good,” he recalled, “I had music in my blood.” He went on to play timbales with a wedding band from Bamako, but spent so much time borrowing a guitar to practice with that the bandleader bought him one of his own, later reimbursing himself out of Lobi’s future pay. “It was an acoustic guitar and its neck was all twisted,” Lobi recalled, “but I managed.”

From his earliest days, Lobi w.......
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