| nr |
tytuł |
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mp3 |
| CD 1: |
| 1 |
Steven Isserlis (Cello): Cello Suite No. 1 in G major, BWV1007: I. Prelude |
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| 2 |
The Brandenburg Consort, Roy Goodman (Conductor): Orchestral Suite No. 1 in C major, BWV1068: I. Overture |
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| 3 |
The Brandenburg Consort, Roy Goodman (Conductor): Orchestral Suite No. 3 in D major, BWV1068: II. Air on the G String' |
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| 4 |
The Brandenburg Consort, Roy Goodman (Conductor): Orchestral Suite No. 3 in D major, BWV1068: III. Gavotte |
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| 5 |
The Brandenburg Consort, Roy Goodman (Conductor): Orchestral Suite No. 3 in D major, BWV1068: IV. Bourrée |
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| 6 |
The Brandenburg Consort, Roy Goodman (Conductor): Orchestral Suite No. 3 in D major, BWV1068: V. Gigue |
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| 7 |
The Sixteen, Harry Christophers (Conductor): Lobet Den Herrn (Praise the Lord), BWV230: Part 1 - Lobet den Herrn, alle Heiden |
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| 8 |
The Sixteen, Harry Christophers (Conductor): Lobet Den Herrn (Praise the Lord), BWV230: Part 2 - Alleluja |
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| 9 |
Angela Hewitt (Piano): Das Wohltemperierte Klavier (The Well-Tempered Clavier) Book 1, BWV846: I. Prelude in C major |
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| 10 |
Angela Hewitt (Piano): Das Wohltemperierte Klavier (The Well-Tempered Clavier) Book 1, BWV846: II. Fugue in C major |
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| 11 |
Angela Hewitt (Piano): Das Wohltemperierte Klavier (The Well-Tempered Clavier) Book 1, BWV847: I. Prelude in C minor |
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| 12 |
Angela Hewitt (Piano: Das Wohltemperierte Klavier (The Well-Tempered Clavier) Book 1, BWV847: II. Fugue in C minor |
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| 13 |
Purcell Quartet: Concerto in C major for Three Harpsichords and Strings, BWV1064: I. Allegro |
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| 14 |
Swiss Baroque Soloists: Brandenburg Concerto No. 1 in F major, BWV1046: IV. Menuet - Trio I - Polonaise - Trio II |
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| 15 |
Florilegium, Johannette Zomer (Soprano): Schlummert Ein, Ihr Matten Augen, Aria from Cantata, BWV82: Ich habe genug' (I Have Enough') |
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| 16 |
Thomas Schmögner: Wachet Auf, Ruft Uns Die Stimme (Sleepers Awake), BWV645: Organ Choral Prelude |
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| CD2: The Rough Guide To Angela Hewitt Plays Bach |
| 1 |
Chromatic Fantasia and Fugue in D minor, BWV903: I. Fantasia |
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| 2 |
Chromatic Fantasia and Fugue in D minor, BWV903: II. Fugue |
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| 3 |
Toccata in E minor, BWV914 |
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| 4 |
Italian Concerto in F major, BWV971: I. |
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| 5 |
Italian Concerto in F major, BWV971: II. Andante |
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| 6 |
Italian Concerto in F major, BWV971: III. Presto |
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| 7 |
French Suite No. 5 in G major, BWV816: I. Allemande |
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| 8 |
French Suite No. 5 in G major, BWV816: II. Courante |
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| 9 |
French Suite No. 5 in G major, BWV816: III. Sarabande |
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| 10 |
French Suite No. 5 in G major, BWV816: IV. |
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| 11 |
French Suite No. 5 in G major, BWV816: V. Bourrée |
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| 12 |
French Suite No. 5 in G major, BWV816: VI. Loure |
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| 13 |
French Suite No. 5 in G major, BWV816: VII. |
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| 14 |
Partita No. 3 in A minor, BWV827: I. |
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| 15 |
Partita No. 3 in A minor, BWV827: II. Allemande |
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| 16 |
Partita No. 3 in A minor, BWV827: III. Corrente |
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| 17 |
Partita No. 3 in A minor, BWV827: IV. Sarabande |
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| 18 |
Partita No. 3 in A minor, BWV827: V. Burlesca |
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| 19 |
Partita No. 3 in A minor, BWV827: VI. Scherzo |
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| 20 |
Partita No. 3 in A minor, BWV827: VII. Gigue |
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| 21 |
Goldberg Variations 'Aria Mit Verschiedenen Veränderungen', BWV988: XXXII. Aria Da Capo |
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