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The Sea and Cake
RUNNER

avant-pop
Thrill Jockey, 2012

Czas trwania: 39:51

Średnia ocena klientów: -    oceń

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CD : 63,90 zł
W magazynie: BRAK
Szac. dostępność:
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Nr kat.: THRILL 310
format : CD
liczba nośników : 1
Opakowanie : kartonowy ecopack
winyl : 89,90 zł
2018
W magazynie: BRAK
Szac. dostępność:
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Nr kat.: THRILL310LP
EAN: 790377031010
download code : tak
format : 12"LP
kolor : niebieski
liczba nośników : 1
 


nr tytuł play mp3
1 On And On
2 Harps
3 A Mere
4 The Invitations
5 Skyscrapers
6 Harbor Bridges
7 New Patterns
8 Neighbors And Township
9 Pacific
10 The Runner


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The Sea and Cake - A Mere (Demo) by Thrill Jockey Records

CD version comes in a 4 panel mini-LP style gatefold package. LP version in a deluxe tip-on LP jacket with artworked inner sleeve and free download coupon.

The Sea and Cake deliver an album with the freshness and energy of a new band, and the ease and musicianship that can only come with experience. Runner began as the companion piece to 2011's The Moonlight Butterfly, and using that album's sonic experimentations as a starting point for a new process of writing and recording, became something completely new. Songs that began as synthesizer experiments in Sam Prekop's home studio were reimagined by the other members, and eventually recorded and mixed by John McEntire at Chicago’s Soma Studios. The result is an album that feels like a private travelogue. Start listening at one place, and end up some place else. Cherish the unexpected mysteries around every corner.

From Sam Prekop:

Normally I would ignore past efforts when writing something new, but this felt different, The Moonlight Butterfly was ripe for expansion. Keeping the butterfly in mind focused a direction and provided a good jumping off point. Between The Moonlight Butterfly and Runner, I wrote and recorded a soundtrack for a film called Pavilion. It was absolutely wonderful for a while not to know what I was doing, but working still, scrambling with purpose. I truly felt free to try almost anything. in completing a picture with sound, trying to record a nuance, the particulars became huge - to render a space, describe a time, follow a spell. Reaching in this direction has definitely informed the new record.

I was interested in writing songs that started not with guitar but with synthesizer/sequencer ideas. The modular synth parts didn't always make it through to the final recordings, but the influence is still there. On "Harps" for instance, that melody and structure could not have happened if I hadn't played off the sequencer right at th
.......
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