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PRETTY MAIDS
Motherland


Frontiers, 2013

Średnia ocena klientów: -    oceń

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CD : 50,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: FRCD593
format : CD
liczba nośników : 1
winyl : 112,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: PRELP067
format : 12"LP
liczba nośników : 1
 


nr tytuł play mp3
1 Mother Of All Lies
2 To Fool A Nation
3 Confession
4 The Iceman
5 Sad To See You Suffer
6 Hooligan
7 Infinity
8 Why So Serious
9 Motherland
10 I See Ghosts
11 Bullet For You
12 Who What Where When Why
13 Wasted


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Ronnie Atkins - vocals
Ken Hammer - guitars
Morten Sandager - keyboards
Allan Tschicaja - drums
Rene Shades - bass

After their successful and highly acclaimed 2010 album “Pandemonium”, Danish melodic Hard Rockers, Pretty Maids celebrated their 30th anniversary with their debut visual release “It Comes Alive (Maid in Switzerland)”.

Founded in early 1982 by guitarist Ken Hammer and singer Ronnie Atkins, Pretty Maids soon established themselves as a band to be taken seriously in the early eighties, having their breakthrough with the release - in April 1987 - of the album “Future World”. This record soon gathered a universal recognition as a “Classic”, which endures to date.

This album got a wide exposure not only in Europe but also in America and the Far East, allowing the band to perform in from of large audiences thanks to their tour with Deep Purple and their appearances in the “Monsters of Rock“ festival. The following album “Jump The Gun” kept the momentum for the band, particularly in Europe and Japan.

Throughout the nineties Pretty Maids continued to release albums, usually followed by European and Japanese tours with the band still maintaining a very high songwriting and production standards.

The release of “Wake up to the Real World” in 2006 started the band’s relationship with Frontiers Records and the album was followed by several festival appearances in the years to come and a European tour in November 2008.

However it has been the release of “Pandemonium” in 2010 that showed the world that Pretty Maids were in a creative spring again, with the band their finest moment. The melodic approach brought a return to the “Future World / Red Hot and Heavy” era of the eighties, but with an updated sound and freshness that consolidated Pretty Maids as strong as ever.

In late spring 2012 , the band gathered to finally write the follow up album. Ronnie Atkins tells: “We kn
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