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Lobi Traore
Bamako Nights: Live At Bar Bozo 1995

blues/ folk/etno
Glitterbeat, 2013

Czas trwania: 50:40

Średnia ocena klientów: -    oceń

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CD : 56,90 zł
W magazynie: BRAK
Szac. dostępność:
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Nr kat.: GBCD003
format : CD
liczba nośników : 1
Opakowanie : kartonowy ecopack


nr tytuł play mp3
1 Ni tugula mogo mi ko 9:00
2 Banani 8:34
3 Dunuya 8:11
4 Sigui Nyongon son fo 4:55
5 Ne Kele Kanuba 5:52
6 Dibi 5:16
7 Bamaku N'tichi 8:52


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Płyta dokumentuje koncert z 1995 roku jednego z najważniejszych malijskich gitarzystów, Lobi Traore, zmarłego w wieku 49 lat w 2010 roku.

Lobi Traoré (1961-2010) was a true African original, a guitarist of profound depth and originality, a singer and songwriter with universal appeal, and a performer who became part of the very fabric of Bamako, one of the world’s most musical cities. Not long before he died—suddenly and unexpectedly in June, 2010—Lobi recorded an unprecedented solo CD—just him and his guitar, in a single session with no overdubs. Rainy Season Blues turns out to be Lobi’s final statement, and we are lucky to have it, for it captures the pure essence of his artistry in full flower.

Lobi was born Ibrahima Traore, in Bakaridjana in the Segou region of Mali, the center of the 19th century Bambara Empire. Lobi recalled, “A Muslim teacher came to my village to see my father, who was a great marabou. He came for his business, but he had an acoustic guitar, and I became very interested in it.” It would be a few years before Lobi got his hands on an axe, but the seed had been planted. Lobi’s first gig was playing maracas in a neighborhood band. “Right from the first time they said it was good,” he recalled, “I had music in my blood.” He went on to play timbales with a wedding band from Bamako, but spent so much time borrowing a guitar to practice with that the bandleader bought him one of his own, later reimbursing himself out of Lobi’s future pay. “It was an acoustic guitar and its neck was all twisted,” Lobi recalled, “but I managed.”

From his earliest days, Lobi was an avid rock and blues fan who listened to players from John Lee Hooker to ACDC’s Angus Young. This history combined with the fact that he started out as a percussionist says a lot about the expressive, highly rhythmic, and transcendently blue
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