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Faust
Just Us

postrock
Bureau B, 2014

Czas trwania: 52:38

Średnia ocena klientów: -    oceń

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winyl : 115,90 zł
W magazynie: na stanie
Nr kat.: BB182
EAN: 4047179904414
format : 12"LP
kolor : czarny
liczba nośników : 1
opakowanie : singlefold
CD : 76,90 zł
W magazynie: BRAK
Szac. dostępność:
2 tygodnie ?
Nr kat.: bb182
format : CD
liczba nośników : 1
Opakowanie : kartonowy ecopack
 


nr tytuł play mp3
1 GERUBELT 5:14
2 80HZ 5:35
3 SUR LE VENTRE 4:33
4 CAVAQUINHO 1:00
5 GAMMES 4:36
6 NAEHMASCHINE 3:14
7 NUR NOUS 3:19
8 PALPITATIONS 7:36
9 DER KAFFEE KOCHT 3:50
10 EEEEEEH 1:58
11 ICH BIN EIN PAVIAN 3:52
12 ICH SITZE IMMER NOCH 7:50


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https://youtube.com/playlist?list=OLAK5uy_kouCid16CedRwUwJielbtP0VOQFQVSoGo

Faust for all - The Krautrock legends lay down the musical foundations for everyone else to make something of their own.
“j US t”—pronounced “Just Us”—is the new album from legendary Hamburg band Faust. Founder members Jean-Hervé Peron and Zappi Diermaier have laid down twelve musical foundations,
inviting the whole world to use them as a base on which to build their own music. The tracks presented by Peron and Diermaier are clearly, intrinsically typical of Faust in their own right, yet offer enough space for completely different works to develop. Which is exactly what they hope will happen.
Whilst Diermaier largely remains true to his habitual handiwork—drums and percussion—Peron, as we might expect, incorporates all manner of unusual sonic sources alongside his bass, various string instruments and piano, even using a sewing machine as a metronome. Tracks like “nur nous” and “ich bin ein pavian” show that Faust have lost none of their predilection for avant-garde Dadaism and improvisation. Peron and Diermaier actually surprise us with folkloristic excursions (“cavaquiñho”, “gammes”). In short, there is something for everyone to work with here. Peron and Diermaier await the results with bated breath.
Faust will follow the same principle on the more mythical than Faust.” Thus wrote English musician and eccentric Julian Cope. Which says it all really, neither the habitus nor the music of the Hamburg group was easy to grasp. Whilst some lauded Faust as the best thing that ever happened to rock, others dismissed them as shameless Dilettantes. Their collage of Dadaism, avantgarde rock and free improvisation radically divided opinion. When the first LP was unleashed on the world in 1971, Faust were very much the prophet in his own land, as the saying goes: few were interested in listening to their music – in Germany. Not so across t
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