muzycy:
Michel Edelin: flute, alto flute alto, bass flute
Jacques Di Donato: bass clarinet, soprano saxophone
Jean-Jacques Avenel: double bass
Simon Goubert: drums

Editor's info:
The accent is put on the song, on melodic fluidity and rhythmic scansion, on the exactness of the narrative architecture, and one always keeps a respectful distance with large lyrical effusions and the emphatic expression of emotions. Michel Edelin, Jacques Di Donato, Jean-Jacques Avenel et Simon Goubert know how to calculate their phrases, sometimes as far as ellipse, they know how to delicately retie them, to proceed by allusions, sudden cuts, amused ruptures, leaps, tensions, parenthesis. One reaches an instant plenitude («A line, a few summary vibrations, and everything becomes clear», as Mallarmé wrote) irresistably seductive while, paradoxically, the improvisations flee the affected poetic style and take a malicious pleasure in thwarting the discourse which, by the rhythm and range would ring too pure, too beautiful… Bernard Aimé, extrait des notes de pochette.

All About Jazz, ocena: * * * * 1/2:
French flutist Michel Edelin is back among familiar faces on Resurgence, after his appearance with fellow flutist Nicole Mitchell on The Ethiopian Princess Meets The Tantric Priest (Rouge Art, 2011). He reconstitutes the quartet which last appeared together on Déblocage D'émergence (AA Records, 1995) for a studio set of 11 of his smart originals. On bass Jean-Jacques Avenel demonstrates why he held tenure for such a long time with the late Steve Lacy, freed to join the frontline by drummer Simon Goubert's purposeful time keeping. The final berth contains reedman Jacques Di Donato, a timbrally adventurous foil to the leader's pure-toned stories.

It's a tight group which benefits from the lengthy shared experience, manifest in the confidence and exuberance with which they navigate Edelin's imaginative modern mainstream arrangements. Edelin never wastes a note, elegantly furthering his narrative with each breath, often pitching himself against the group tempo to create a dynamic tension. The leade.......
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