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Bargou 08
Targ

folk/etno
Glitterbeat, 2017

Czas trwania: 42:41

Średnia ocena klientów: -    oceń

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CD : 56,90 zł
W magazynie: BRAK
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Nr kat.: GBCD 045
format : CD
liczba nośników : 1
Opakowanie : digipack
winyl : 86,90 zł
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Nr kat.: GBLP045
download code : tak
format : 12"LP
gramatura : 180 gram
kolor : czarny
liczba nośników : 1
 


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https://soundcloud.com/glitterbeat/bargou-08-mamchout

It’s the forgotten place. Lying between the mountains of northwest Tunisia and the Algerian border, the Bargou valley and the village named after it lie isolated, away from the world. It’s poor, barren country, but standing apart, Bargou has developed its own culture that had never been documented until Nidhal Yahyaoui began the task. Born in the valley, he grew up hearing his parents and family sing the songs that belong to the region, and he was determined that the music and traditions shouldn’t slip away into obscurity. With Targ, the album he’s made with his band Bargou 08, Yahyaoui has perfectly fused the past and the present to place Bargou on the map.

“Nidhal began collecting songs from all over the valley more than ten years ago,” explains producer and keyboard player Sofyann Ben Youssef, who’s known Yahyaoui since they were both ten years old. “No one had ever done that before. He listened to the women, to the village elders, and he learned all the variations on the songs. This is his passion, and he asked me to join him.”

Together, they assembled a collective of both local and European musicians who spent three weeks playing in the Yahyaoui family home in Bargou village. They worked on the material, shaping a sound that harnessed the power of the tradition and connected it to something the young would understand.

“These songs are all in the Targ dialect,” Ben Youseff says. “It’s part-Berber, part-Arabic, the language people speak in the valley. Many of these pieces are more than three hundred years old. After the changes in Tunisia in 2011, we felt it was time for a new relationship with our roots, to have something true to the past but that was also intelligible to the young. We spent three weeks in Bargou, with people from the area, performing and listening. By the time we packed up, we felt we were creating something that managed th
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