https://youtube.com/playlist?list=OLAK5uy_mCQZeurwSBdutRJCi-7pQ9fJKa20VkbHk

n these community recordings, with friendly support from Péron's database of field recordings, a strongly shaded noise music emerged which extends its feelers to the remotest corners of the here and now. Droning, swinging, lusting for freedom, here and there holding out quite stoically as machine-room blues. On board are the freely fabulous Barbara Manning in a live lecture, Jürgen Engler (Die Krupps) in overdub and Ysanne Spevack as a wonderful wavemaker on the viola.

Books out! Class work! Subject: Geometry. What do all these rectangles, circles, dots, and triangles mean to you? It's not so old-school when Werner "Zappi" Diermaier presents his geometrical forms. But the question that bandmates and the audience at the California Institute of the Arts were confronted with was a rather similar one: How would you transform the graphic score, which is currently projected onto the screen, into acoustic signals? The result was a wildly meandering, high -intensity, 23 - second symphony, in which the onomatopoetic knot bursts. "It's a sort of dadaist choir, a musique impressionist e," says faUSt founder Jean-Hervé Péron. "People participated right away." "Sounds like a sporting event! And the audience screams: Hurray!" says Zappi Diermaier. Two perspectives on one idea from faUSt. Very good! Sit down! Continue!

But let's start from the beginning. faUSt has recorded a new album. It is entitled "Fresh Air" and differs in several respects from its predecessor "Just Us", from the year 2014. At the time, the recordings were made at Péron's rehearsal studio in Schiphorst in northern Germany, hypnotic pieces with the kind of noisemaking the band is known for. For the new album, Péron and Diermaier were looking for communication with musician friends and the audience. The tracks were recorded in changing ensembles at changing locations in the USA (during a 28-day tour in March/April 2016).
In these community recordings, with friendly support fr.......
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