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Burning Ghosts
Reclamation

jazz/yass/impro
Tzadik, 2018

Średnia ocena klientów: -    oceń

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CD : 113,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: TZ7815
EAN: 0702397781523
format : CD
liczba nośników : 1
Opakowanie : digipack


nr tytuł play mp3
1 FTOF
2 Harbinger
3 The War Machine
4 Radicals
5 Betrayal
6 Gaslight
7 Catalyst
8 Zero Hour
9 Revolution


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https://youtu.be/sSr57YZ26Qg


muzycy:
Daniel Rosenboom - Trumpets
Jake Vossler - Guitars
Richard Giddens - Bass
Aaron McLendon - Drums

Editor's info:
A politically motivated quartet at the forefront of the jazz-metal underground featuring four of the most acclaimed musicians in the LA experimental music scene. Playing scorching instrumentals that touch on heavy metal and jazz, the music is uncompromising and intense, filled with precise rhythmic complexity and textural power. Their first release on Tzadik is an incendiary blockbuster and is destined to become an instant classic!

"Marvelous." —Jazz In Europe

"Touched with Aylerlike churn and serene Coltranian confidence, "Reclamation" harks back to a time when revolution sprang directly from phonograph grooves into the hearts of millions. If you're wishing for this decade's most potent way of declaring "We're not gonna take it," look no further." —MetalJazz.com

"True to the stated purpose of Burning Ghosts, Reclamation is another piercing protest document without words. But regardless of what your politics might be, there’s much to relish here as long as you appreciate raw passion delivered through accomplished musicianship and a fearless attitude." —Something Else Reviews

"A musical diamond mine...that pushes the boundaries of noise rock, free jazz and every genre in between into new and interesting places." —Heavy Blog Is Heavy

somethingelsereviews.com:
(. . .) A palpable sense of foreboding is heard at the start of “Betrayal,” Vossler and Rosenboom once again doubling up on dark lines. Out of that a funky stride emerges, and Rosenboom begins a choice discourse on his horn. The surprising introduction of a swing groove signals the end of that track and the beginning of “Gaslight,” a two-minute, unaccompanied spotlight for Giddens that in turn segues right into the explosive “Catalyst.” “Zero Hour” is the eerily quiet aftermath; the only sound rising above the uneasy stillness is Rose
.......
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