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HELENA HAUFF
Qualm

elektronika
Ninja Tune, 2018

Średnia ocena klientów: -    oceń

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CD : 54,90 zł
dostępność:
2 tygodnie
Nr kat.: ZENCD253
format : CD
liczba nośników : 1
winyl : 99,90 zł
dostępność:
2 tygodnie
Nr kat.: ZEN253
download code : tak
format : 2x12"LP
liczba nośników : 2
 


nr tytuł play mp3
1 Barrow Boot Boys
2 Lifestyle Guru
3 btdr-revisited
4 Entropy Created You And Me
5 Fag Butts In The Fire Bucket
6 Hyper-Intelligent Genetically Enriched Cyborg
7 The Smell Of Suds And Steel
8 Primordial Sludge
9 Qualm
10 No Qualms
11 Panegyric
12 It Was All Fields Around Here When I Was A Kid


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https://youtu.be/c8bS3h-Bkag

“Qualm” is the new album by Helena Hauff, released via Ninja Tune. The title has a duality that Hauff enjoys - the German word “Qualm” ( kvalm) translates as fumes or smoke, whilst the English meaning refers to an uneasy feeling of doubt, worry, or fear, especially about one's own conduct. True to form, the record is unapologetically raw and finds her returning to her original modus operandi - jamming on her machines - “trying to create something powerful without using too many instruments and layers”.

A former resident of the Golden Pudel club in her hometown Hamburg, Helena’s profile and global standing has grown exponentially since the release of “Discreet Desires” in 2015, purely on the strength of her authenticity and her expertly curated DJ sets spanning acid, electro, EBM, techno and post punk. Gigging incessantly (and still lugging a box of records across the world) Helena’s reputation earned her an invitation to join the BBC Radio 1 Residency, she was the subject of cover features for Crack Magazine and DJ Mag, she played headline sets at Sonar (b2b with Ben UFO) and Dekmantel, and at the end of 2017 Crack Magazine declared Helena “The Most Exciting DJ In The World (Right Now)” and her ballistic BBC Essential Mix was voted the best of 2017.

Born and raised in Hamburg, a self-confessed child of the 90s, Helena was obsessed with the music she discovered via the television on channels such as MTV and VIVA. She recalls her grandmother buying Technotronic's 'Pump Up The Jam’ at the flea market for her and watching coverage of iconic electronic music festival Loveparade in Berlin on TV. She has fond memories of borrowing CDs from the local library and making her own mixtapes - these days an archaic practice but from a curatorial standpoint these were her earliest outings as a DJ. Helena picks out Miss Kittin & The Hacker and Toktok vs. Soffy O as inspiratio
.......
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