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Ant Law
Life I Know

jazz/yass/impro
Edition Records, 2018

Czas trwania: 41:26

Średnia ocena klientów: -    oceń

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CD : 61,90 zł
na stanie
Nr kat.: EDN1119
EAN: 5060509790555
format : CD
liczba nośników : 1
Opakowanie : kartonowy ecopack


nr tytuł play mp3
1 Movies 4:54
2 Searching 2:40
3 Aquilinus 7:45
4 Pure Imagination 2:50
5 Introduction to Laurvin Glaslowe 2:59
6 Laurvin Glaslowe 3:24
7 The Act Itself 12:37
8 Credits 4:16


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muzycy:
ANT LAW guitar
MIKE CHILLINGWORTH alto saxophone
IVO NEAME piano
TOM FARMER double bass
JAMES MADDREN drums

Editor's info:
Ant Law’s astonishing long awaited 3rd album ‘Life I Know’ draws on a depth of musical and life experience into a career defining album, uniting some of the finest players in British Jazz.

Life I Know is the third and much anticipated album from British guitarist and composer Ant Law. Utilising some of the finest musicians in British Jazz today, Ant Law has crafted a masterpiece, merging wide-ranging stylistic and genre influences, virtuosic musicianship and melodic accessibility into one career-defining album. Abounding in warmth and energy, Life I Know is a deeply experienced musical expression of all the influences that surround Ant: his sense of community, culture, human interaction and creative spirit. It’s these influences that inspire Ant’s ambition and motivation to create.

Ant Law musical journey hasn’t followed the traditional path. A BSc in Physics with Music at Edinburgh, a summer semester at Berklee and a further two years gigging and Ant threw himself into the London scene a decade ago, playing with contemporaries, listening and learning. Two albums of his own, and three with Tim Garland’s band, much touring and hundreds of gigs later, he’s finally ready to release his new recording.

Although there had been a period of four years since his last album, there was never a rush to release Life I Know. As Ant explains:

‘When I moved to London a decade ago, I needed to establish myself. The first two albums helped me say “I am here” and to start working more. I reached out to artists I admired and developed my compositional approach. The resulting four tours as a leader were tremendously enlightening, but I knew I had to develop my instrumental approach and my sound world.

I became much busier as a sideman, recording and touring with groups like Partikel and artists like Tim Garland, but all the wh
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