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Scott Gilmore
Two Bedroom Motel

elektronika
Crammed Discs, 2019

Średnia ocena klientów: -    oceń

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CD : 49,90 zł
W magazynie: BRAK
Szac. dostępność:
Tydzień ?
Nr kat.: CRAM286
EAN: 876623007951
format : CD
liczba nośników : 1
winyl : 79,90 zł
W magazynie: BRAK
Szac. dostępność:
Tydzień ?
Nr kat.: CRAM286LP
EAN: 876623007968
format : 12"LP
liczba nośników : 1
 


nr tytuł play mp3
1 Empty Aisles
2 Two Roomed Motel
3 All Our Stuff
4 Cascade Occurence
5 A Veil Between
6 Rooms We've Made
7 Blue Rhumba
8 Memories Of A Long Day
9 Of Places Read


  powiadom mnie kiedy pojawią się sample
  poleć znajomemu

 


https://youtu.be/HM562yQyVT8

https://youtu.be/7u_y3YWU8aU

https://youtu.be/ZVXNtwSC3Jo

From the heart of the strange, suburban environment known as the San Fernando Valley, a vast sprawl on the edge of Los Angeles, Scott Gilmore produces his own brand of seductive, beguiling and dreamy pop music.

He’s just joined the Crammed Discs roster, and his new album Two Roomed Motel will be released on March 1st, 2019.

This is how Scott describes what he does:
I make music using synthesizers, drum machines, electric bass, and acoustic and electric guitars. I try to write music that is both beautiful and engaging. I enjoy writing many melodies, harmonies and counter melodies into my compositions to develop a sense of forward motion. My main influences include Brian Eno, Cluster, Kraftwerk, Stereolab, Talking Heads, YMO, ‘70’s and ‘80’s Ethiopian Music, J.S. Bach, and the out-takes from the Beach Boys’ Smile Sessions. (from an interview in Titel - Kultur Magazine, DE)

His first album Subtle Vertigo elicited praise from the media. Comparisons to sounds as diverse as those of Air, Stereolab, Italian film music from the '70s and to solitary eccentrics such as R. Stevie Moore and Captain Beefheart were drawn.

Scott Gilmore will be performing solo shows around US and Europe, from Spring 2019 onwards.

The first single off the new album is the title track, it's illustrated by a music video which Scott directed himself.


From the media reactions to Scott Gilmore’s previous album:

A chill, whimsical listen whose compositions reveal themselves to be surprisingly complex. Full of clean-toned guitars, percolating rhythm boxes, and layer upon layer of wispy analog synthesizers, it takes its principal stylistic cues from Krautrock and library music; the album often sounds like Air's Moon Safari or Stereolab’s Dots and Loops run through a beat-up transistor radio that’s been wrapped in cheesecloth Pitchfo
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